Miklós Rózsa's 'The Mount' had a release date set for January 29, 1960. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 32 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Mount is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Mount by Miklós Rózsa is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lament for Cello & Orchestra | Simon Hussey | F Minor | 2 | 4A | 72 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| Main Title - Gone With the Wind | Max Steiner | F Major | 4 | 7B | 122 BPM | ||
| History Of The Ring | Leonard Rosenman | C Major | 1 | 8B | 108 BPM | ||
| The Conflict | Miklós Rózsa | B♭ Major | 1 | 6B | 82 BPM | ||
| Orphans of the Storm | Geoffrey Burgon | C Major | 1 | 8B | 125 BPM | ||
| Tareas del Dia | Ninfas De Ultramar | B Major | 3 | 1B | 78 BPM | ||
| Slowing Down | Jhon Allan, Kesha | D♭ Major | 2 | 3B | 157 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Plane Crash | Basil Poledouris | D♭ Minor | 0 | 12A | 147 BPM | ||
| Entr'acte | Richard Rodney Bennett | C Major | 5 | 8B | 112 BPM | ||
| The Day We Fight Back | David Arnold, Nicholas Dodd | C Major | 1 | 8B | 131 BPM | ||
| Lohengrin, Act III, Lohengrin, Act I: Prelude | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 89 BPM | ||
| Unheard Whispers | Infinity Nikki, FoldEcho | B Minor | 3 | 10A | 110 BPM | ||
| Arrius' Party, Pt. 1 & 2 | Miklós Rózsa | F Major | 2 | 7B | 170 BPM | ||
| Roman Fleet - Extended Version | Miklós Rózsa | C Major | 1 | 8B | 71 BPM | ||
| Battle Preparations, Pt. 1 & 2 | Miklós Rózsa | C Major | 2 | 8B | 130 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Castle of Life | Amer Bespan | A Major | 2 | 11B | 85 BPM | ||
| Fantasia on a Theme by Thomas Tallis (excerpt) [Master and Commander: The Far Side of the World] | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | F Minor | 0 | 4A | 86 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| War Is Declared / The Death of Charles | Max Steiner | D Minor | 3 | 7A | 75 BPM |