Thrice's ' "In Years To Come" was released on its scheduled release date, February 5, 2002. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. In Years To Come's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Illusion of Safety". In this album, this song's track order is #6. In terms of popularity, In Years To Come is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With In Years To Come by Thrice having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charred Fields Of Snow | A Static Lullaby | E Minor | 9 | 9A | 126 BPM | ||
| It's Dangerous Business Walking Out Your Front Door | Underoath | A Minor | 10 | 8A | 135 BPM | ||
| Nice And Blue (Pt. 2) | mewithoutYou | B Minor | 9 | 10A | 160 BPM | ||
| Pieces Mended | The Used | E Major | 0 | 12B | 100 BPM | ||
| I'm a Loner Dottie, a Rebel | The Get Up Kids | B Minor | 9 | 10A | 177 BPM | ||
| Wearing Thin | Further Seems Forever | B♭ Minor | 9 | 3A | 147 BPM | ||
| Untitled | Finch | D♭ Major | 8 | 3B | 115 BPM | ||
| Cool for One Night | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| Sans Cosm | Sparta | A Major | 9 | 11B | 163 BPM | ||
| Four Wall Blackmail - Dead Poetic Album Version | Dead Poetic | D Major | 8 | 10B | 142 BPM | ||
| By All Accounts (Today Was A Disaster) | Emery | B♭ Minor | 8 | 3A | 150 BPM | ||
| Medicating | Boys Night Out | B Minor | 9 | 10A | 167 BPM | ||
| What A Sight | Matchbook Romance | A Major | 7 | 11B | 132 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Blood Red Summer | Coheed and Cambria | E Major | 8 | 12B | 77 BPM | ||
| Ghost Man On Third - Remastered | Taking Back Sunday | E Minor | 8 | 9A | 148 BPM | ||
| The Bradley | Further Seems Forever | B♭ Minor | 9 | 3A | 146 BPM | ||
| Montauk | Bayside | B Minor | 9 | 10A | 175 BPM | ||
| Neverender | Coheed and Cambria | E Major | 9 | 12B | 82 BPM | ||
| Monachetti | Further Seems Forever | F♯ Major | 9 | 2B | 135 BPM | ||
| Travel By Bloodline | Sparta | D Major | 9 | 10B | 173 BPM | ||
| My Exit, Unfair | mewithoutYou | E Minor | 6 | 9A | 83 BPM | ||
| Alive out of Habit | From Autumn To Ashes | D♭ Major | 10 | 3B | 100 BPM | ||
| Annunciate While You Masticate | A Static Lullaby | A Minor | 10 | 8A | 93 BPM | ||
| The Seduction | He Is Legend | D Minor | 9 | 7A | 108 BPM |