Charlie Rich's ' "Goodbye Mary Ann - Alternative Version 3" was released on its scheduled release date, July 5, 2013. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 22 in Charlie Rocks by Charlie Rich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Goodbye Mary Ann - Alternative Version 3 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Goodbye Mary Ann - Alternative Version 3 by Charlie Rich is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sylvia's Mother | Dr. Hook | A Major | 5 | 11B | 167 BPM | ||
| A Rose and a Baby Ruth | George Hamilton IV | A Major | 3 | 11B | 91 BPM | ||
| You Never Really Wanted Me | Charlie Rich | C Major | 2 | 8B | 72 BPM | ||
| Holding Her and Loving You | Earl Thomas Conley | G Major | 3 | 9B | 126 BPM | ||
| Long Black Veil | Sammi Smith | C Major | 4 | 8B | 114 BPM | ||
| Let Me Go (Set Me Free) | Johnny Duncan | G Major | 5 | 9B | 125 BPM | ||
| Don't Break the Heart That Loves You | Margo Smith | A♭ Major | 3 | 4B | 81 BPM | ||
| Touch Me | Dottie West | E Major | 3 | 12B | 81 BPM | ||
| Boney Fingers | Hoyt Axton | A Major | 8 | 11B | 152 BPM | ||
| Mister Jones | Big Al Downing | B♭ Major | 7 | 6B | 89 BPM | ||
| The Midnight Oil | Barbara Mandrell | F♯ Major | 3 | 2B | 81 BPM | ||
| I Ain't Never | Webb Pierce | B Major | 5 | 1B | 123 BPM | ||
| Someday Soon | Suzy Bogguss | G Major | 5 | 9B | 115 BPM | ||
| You're The Reason God Made Oklahoma | David Frizzell | A Major | 4 | 11B | 96 BPM | ||
| Seven Year Ache | Rosanne Cash | A Minor | 6 | 8A | 122 BPM | ||
| Do You Love As Good As You Look | The Bellamy Brothers | G Major | 5 | 9B | 122 BPM | ||
| I'm Leaving It All Up To You | Donny & Marie Osmond | B Major | 7 | 1B | 109 BPM | ||
| You and Me | Tammy Wynette | E♭ Major | 2 | 5B | 77 BPM | ||
| Jambalaya (On The Bayou) | Hank Williams | G Major | 3 | 9B | 164 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| I'm Knee Deep in Loving You | Dave and Sugar | E♭ Major | 5 | 5B | 199 BPM | ||
| There He Goes | Sissy Spacek | F Major | 3 | 7B | 101 BPM | ||
| Invisible Tears | Ned Miller | B Major | 5 | 1B | 123 BPM | ||
| The Tip Of My Fingers | Jean Shepard | D Major | 3 | 10B | 68 BPM | ||
| L.A. International Airport | Susan Raye | B♭ Major | 5 | 6B | 109 BPM |