"Gawain, Act I (1994 Revised Version): Tableau Ib. Winter. Night. Here Is Your Second Birth [Live]" by Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth had its release date on August 5, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 22 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Tableau Ib. Winter. Night. Here Is Your Second Birth [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Tableau Ib. Winter. Night. Here Is Your Second Birth [Live] by Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preludes: Plainte calme (Calm Plaint) | Olivier Messiaen, Håkon Austbø | D♭ Major | 0 | 3B | 98 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| 7 Haikus: IV. Con moto assai. Giocoso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Freeman Études, Books 1 & 2: No. 1, — | John Cage, Irvine Arditti | E Minor | 1 | 9A | 76 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| The Mask of Orpheus, Act I Scene 1: The First Poem of Reminiscence | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | C Minor | 2 | 5A | 80 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | D♭ Major | 0 | 3B | 88 BPM | ||
| Vattendroppar, JS 216 | Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Gawain, Act I (1994 Revised Version): The Green Knight's Challenge. Which of You Is King? [Live] | Harrison Birtwistle, John Tomlinson, Kevin Smith, Orchestra Of The Royal Opera House, John Marsden, Alan Ewing, Francois Le Roux, Richard Greager, Marie Angel, Anne Howells, Elgar Howarth | G Major | 3 | 9B | 70 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Játékok / 8.: Tanulmány a "Hölderlin"-hez | György Kurtág, Márta Kurtág | F♯ Minor | 0 | 11A | 88 BPM | ||
| Variations for Orchestra, Op. 31: Thema | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Variations (1963-64): Aldous Huxley in memoriam | Igor Stravinsky, London Sinfonietta, Oliver Knussen | A♭ Major | 1 | 4B | 133 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
| Szymanowski: Love Songs of Hafiz, Op. 26: No. 4, Pearls of My Soul | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | ||
| Jolivet : Poèmes intimes : I Amour | André Jolivet, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 1 | 12B | 74 BPM |