On January 1, 2006, the song "Jamaican Rumba" was released by Arthur Benjamin, Jascha Heifetz, Milton Kaye. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jascha Heifetz's "Jascha Heifetz - It Ain't Necessarily So. Legendary classic and jazz studio takes" album is number 2 out of 52. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Jamaican Rumba is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jamaican Rumba by Arthur Benjamin, Jascha Heifetz, Milton Kaye to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn: Piano Concerto in G Major, Hob XVIII:4: II. Adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | C Major | 1 | 8B | 168 BPM | ||
| Symphony No. 6 in D Major, Hob.I:6 "Le Matin": I. Adagio - Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Minor | 1 | 6A | 79 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 0 | 5B | 83 BPM | ||
| Piano Concerto in D Major, Wq. 11: III. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Berliner Barock Solisten | E Major | 2 | 12B | 133 BPM | ||
| Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione: Larghetto | Arthur Benjamin, Pedro Diaz, Park Avenue Chamber Symphony, David Bernard | C Minor | 1 | 5A | 131 BPM | ||
| Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
| Oboe Concerto in D Minor, BWV 1059R: 2. Adagio (Performed on Recorder) | Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | D♭ Minor | 1 | 12A | 90 BPM | ||
| Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra | F♯ Minor | 1 | 11A | 139 BPM | ||
| Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: II. Allegro | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | D Minor | 1 | 7A | 134 BPM | ||
| Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Sinfonia Weinen, Klagen, Sorgen, Zagen (BWV 12) | Thomas Indermühle | F Minor | 1 | 4A | 48 BPM | ||
| San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
| Notturno in F Major, P. 106: III. Adagio | Michael Haydn, German Chamber Academy Neuss, Johannes Goritzki | B♭ Major | 0 | 6B | 104 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Sinfonia a otto, ZWV 189: V. Menuet I - II | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | A Major | 2 | 11B | 72 BPM | ||
| Harp Concerto in G Major: I. Allegro | Georg Christoph Wagenseil, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 75 BPM | ||
| Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 1 | 10A | 114 BPM | ||
| Concerto for Oboe & Violin in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Müller-Brühl | D Minor | 1 | 7A | 73 BPM | ||
| Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
| The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
| An Ideal Husband: I. Waltz | Arthur Benjamin, Rumon Gamba, BBC National Orchestra Of Wales | C Major | 1 | 8B | 174 BPM | ||
| Concerto in D Minor, Op. IX No. 2: II. Adagio | Tomaso Albinoni, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 1 | 6B | 89 BPM |