"Nørgård: Wie ein Kind, II. Frühlings-lied" by Per Nørgård, Rainer Maria Rilke, Ensemble 96, Kjetil Almenning had its release date on October 20, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ensemble 96, Kjetil Almenning's "Kind" album is number 6 out of 11. On top of that, Norway appears to be the country where this track was created. Nørgård: Wie ein Kind, II. Frühlings-lied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nørgård: Wie ein Kind, II. Frühlings-lied by Per Nørgård, Rainer Maria Rilke, Ensemble 96, Kjetil Almenning to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luminous Aria of the Secret Garden | Arjun Tara | D Minor | 0 | 7A | 76 BPM | ||
| Cello Sonata: II. Capriccio | György Ligeti, Miklós Perényi | G Major | 2 | 9B | 132 BPM | ||
| Concerto for Violin and Orchestra, Op. 36: II. Andante grazioso | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko, Patricia Kopatchinskaja | D Major | 1 | 10B | 161 BPM | ||
| Sånger från Aftonland, Op. 17, Del 2: No. 3, Tacka vill jag | Per Nørgård, Pär Lagerkvist, Christina Herresthal, Hehku, Aliisa Neige Barrière | G Major | 0 | 9B | 70 BPM | ||
| III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | D Major | 1 | 10B | 161 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: II. Serenade. Adagio | Dmitri Shostakovich, Cuarteto Casals | D Major | 1 | 10B | 161 BPM | ||
| Van Ness : Cor meum est templum sacrum | Patricia Van Ness (1951), Patricia Van Ness (b.1951), Chanticleer | G Minor | 0 | 6A | 138 BPM | ||
| 2020 | Oscap | E♭ Minor | 0 | 2A | 61 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Miserere, Op. 44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D Major | 1 | 10B | 161 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | D Major | 1 | 10B | 161 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | D Major | 1 | 10B | 161 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| 7 Papillons: No. 2, — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 85 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D Major | 1 | 10B | 161 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): Lento | Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz | E♭ Major | 0 | 5B | 78 BPM |