Brian Tuey's 'Frequency (From “Call of Duty: Black Ops 4 - Alpha Omega”)' had a release date set for October 27, 2023. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Treyarch Call of Duty Music Anthology, Vol. 3". In this album, this song's track order is #15. The popularity of Frequency (From “Call of Duty: Black Ops 4 - Alpha Omega”) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frequency (From “Call of Duty: Black Ops 4 - Alpha Omega”) by Brian Tuey having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deaths Flashing Before my Eyes | Luís Alexandre De Castro Caires Veríssimo, Lothyde | B Major | 6 | 1B | 110 BPM | ||
| Queen's Gold | Ola Strandh, Simon Koudriavtsev | B Minor | 9 | 10A | 135 BPM | ||
| We Weren't Built to Last | Ryan Leo Williams, FFM, Nicholas Michael Hill | D Major | 8 | 10B | 110 BPM | ||
| Storming the Horizon | Jordan Hemenway, The Quiggles | F Minor | 10 | 4A | 130 BPM | ||
| The Mercenaries~Wesker | Capcom Sound Team | D♭ Major | 5 | 3B | 150 BPM | ||
| Aim for the Head | Ryan Leo Williams | D♭ Major | 7 | 3B | 97 BPM | ||
| Seek and Prey - HighSpeed Heroes | Capcom Sound Team | G Major | 9 | 9B | 164 BPM | ||
| Counter Attack | Cosmograph | D♭ Major | 10 | 3B | 137 BPM | ||
| Anthem - Tuey Remix | Jack Wall, Brian Tuey | D♭ Major | 6 | 3B | 194 BPM | ||
| New Era | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Damned 100ae (From “Call of Duty: Black Ops 2”) | Brian Tuey | E Minor | 8 | 9A | 90 BPM | ||
| The Wings of Victory - Instrumental | Ajurika | B Major | 6 | 1B | 80 BPM | ||
| Cyber Space 4-I: Time Flyer Remix | SEGA SOUND TEAM, Kanon Oguni | G Major | 4 | 9B | 65 BPM | ||
| Serenity | Kota Suzuki, 千本木操 | F Minor | 2 | 4A | 126 BPM | ||
| Damned Ops (From “Call of Duty: Black Ops Cold War - DOA3”) | James McCawley | A Minor | 7 | 8A | 90 BPM | ||
| Where Are We Going (From “Call of Duty: Black Ops 2 - Mob of the Dead”) - Instrumental | Kevin Sherwood, James McCawley | F Minor | 7 | 4A | 120 BPM | ||
| All Nations | Hydelic | D♭ Minor | 9 | 12A | 123 BPM | ||
| Living Room | Ryan Leo Williams | B♭ Minor | 4 | 3A | 63 BPM | ||
| Twice or it´s Luck | Alex Peipman | D♭ Major | 4 | 3B | 138 BPM | ||
| Prey for the Wicked | zYnthetic | B Major | 5 | 1B | 96 BPM | ||
| The Labyrinth Sentinel | Rob Westwood | F Minor | 9 | 4A | 80 BPM | ||
| Te Lu Ska | Tori Letzler | B♭ Minor | 9 | 3A | 120 BPM | ||
| HERETIC | Cosmograph | A Major | 3 | 11B | 122 BPM | ||
| In The Name Of | SEGA SOUND TEAM, 吉田 沙織 | E Major | 6 | 12B | 100 BPM | ||
| Mother | The Forever Winter | E Major | 9 | 12B | 140 BPM |