"Francesca da Rimini, Act III: Nemica ebbi la luce (Live)" by Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni had its release date on October 7, 2014. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #3 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Francesca da Rimini, Act III: Nemica ebbi la luce (Live) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act III: Nemica ebbi la luce (Live) by Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Francesca da Rimini, Act III: Nemica ebbi la luce (Live) being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Puccini: Turandot, Act 1: "Padre! Mio padre!" (Calaf, Liù, Coro, Timur) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 2 | 7B | 114 BPM | ||
| Tosca / Act 2: "Ov'è Angelotti?...Ed or fra noi parliam" | Giacomo Puccini, Sherrill Milnes, Luciano Pavarotti, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | D Minor | 1 | 7A | 175 BPM | ||
| Manon Lescaut / Act 1: Di sedur la sorellina è il momento | Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 141 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Tosca, Act II: Ov'è Angelotti? – Mario, tu qui? | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Matteo Macchioni, Ludovic Tezier, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Cavalleria rusticana: Pt. I: Perche m’hai fatto...Voi lo sapete (Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 71 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 7: Orsù, bisogna manganare una botte grande (Gianciotto, Francesca, Paolo) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Philippe Roillon | D Minor | 1 | 7A | 80 BPM | ||
| Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Berceuse, RZ 207 | Riccardo Zandonai, Orchestra da Camera di Trento, Giancarlo Guarino | B♭ Major | 1 | 6B | 125 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Francesca da Rimini, Op. 4, Act II: È ancora sgombro il campo del comune? | Riccardo Zandonai, Levente Molnár, Se Hun Jin, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Major | 1 | 9B | 91 BPM | ||
| Tosca / Act II: Dov'è Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 87 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
| Falstaff / Act II: "Presenteremo un bill" - "Giunta all'albergo" | Giuseppe Verdi, Adrianne Pieczonka, Larissa Diadkova, Stella Doufexis, Dorothea Röschmann | C Major | 3 | 8B | 68 BPM | ||
| Bellini: I puritani: "Oh, vieni al tempio, fedele Arturo" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Cheryl Studer, Sondra Kelly, John Hanriot, Juan Pons, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 171 BPM |