"Dubaï" by Armand Amar, Shanghaï Percussion had its release date on June 5, 2009. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Dubaï's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Armand Amar's "Home (Original Motion Picture Soundtrack) [Deluxe Version]" album is number 15 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Dubaï is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dubaï by Armand Amar, Shanghaï Percussion to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cell to Cell | Alex Stolze | G Minor | 2 | 6A | 127 BPM | ||
| Himma | Sufi Music Ensemble | E Minor | 2 | 9A | 70 BPM | ||
| March of the Undead | Deskant | D♭ Major | 9 | 3B | 114 BPM | ||
| River | Dustin O'Halloran, Hauschka | G Minor | 3 | 6A | 127 BPM | ||
| Return to Cambulac | Peter Nashel, Eric V. Hachikian | C Major | 3 | 8B | 98 BPM | ||
| When Our Wings Are Cut, Can We Still Fly? | Kronos Quartet | A Minor | 2 | 8A | 154 BPM | ||
| Song of the Ancients | Matthew Kocel | C Major | 5 | 8B | 170 BPM | ||
| Toxic Pursuit - Percussion | Gothic Storm | D Major | 10 | 10B | 120 BPM | ||
| The Raiders | Richard Harvey | D Major | 7 | 10B | 138 BPM | ||
| Preludio / Nar I-Seher | Ludovico Einaudi, Mercan Dede | E Minor | 6 | 9A | 204 BPM | ||
| Egyptian Ceremony | James Asher | D Major | 5 | 10B | 188 BPM | ||
| Get in the Car | Travis Lake | A Minor | 2 | 8A | 100 BPM | ||
| Chronos | Kirill Richter | D Minor | 2 | 7A | 118 BPM | ||
| Echo Nomad | Nomad Whisper Drums | A♭ Major | 6 | 4B | 160 BPM | ||
| Forest Dance | Filip Lackovic | B Minor | 7 | 10A | 100 BPM | ||
| Tension Pursuit - Percussion | Gothic Storm | A♭ Major | 7 | 4B | 99 BPM | ||
| Save Us | Armand Amar | A♭ Minor | 4 | 1A | 130 BPM | ||
| Black Desert Flower | Amine Bouhafa | D Major | 2 | 10B | 69 BPM | ||
| Amar: Crowds | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 6 | 3A | 80 BPM | ||
| Ascension | Kevin Wrenn | C Major | 4 | 8B | 140 BPM | ||
| Flying River | Henning Fuchs | F♯ Major | 1 | 2B | 181 BPM | ||
| The Feeling Begins | Peter Gabriel | D♭ Major | 6 | 3B | 114 BPM | ||
| No Tomorrow | Gabriel Saban | A Minor | 7 | 8A | 140 BPM | ||
| Oror | Levon Minassian, Armand Amar | E♭ Minor | 3 | 2A | 120 BPM | ||
| Jusqu'au bout | Armand Amar | G Minor | 1 | 6A | 180 BPM |