"Увертюра к опере "Вильгельм Телль"" by Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян had its release date on July 29, 2010. This song appears to be safe for all ages as it is not explicit. There is only one song in Россини, so we believe that "Увертюра к опере "Вильгельм Телль"" is a single. The popularity of Увертюра к опере "Вильгельм Телль" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Увертюра к опере "Вильгельм Телль" by Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Nordic Melodies, Op. 63 for string Orchestra: I folketonestil (In Folk Style). Andante | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | A♭ Major | 0 | 4B | 83 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
| Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
| 序曲「ローマの謝肉祭」(ベルリオーズ) | Hector Berlioz, ポール・フリーマン, Czech National Symphony Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| Aquarellen, Op. 258 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | C Major | 1 | 8B | 100 BPM | ||
| Symphony in C: 4. Finale (Allegro vivace) | Georges Bizet, Orchestre National de l'O.R.T.F., Jean Martinon | G Major | 2 | 9B | 147 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Minor | 0 | 6A | 73 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Ischler Walzer, Op. Posth | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 185 BPM | ||
| Weber: Abu Hassan, J. 106: Overture | Carl Maria von Weber, Otto Ackermann, Gürzenich Orchester Köln | C Major | 5 | 8B | 146 BPM | ||
| The Emperor Waltz | The Ball Orchestra Of Vienna | C Major | 0 | 8B | 89 BPM | ||
| Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Don Carlo*: 'Spuntato ecco il di d'esultanza' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | G Minor | 8 | 6A | 170 BPM | ||
| Malapou-Galopp, Op. 148a | Joseph Lanner, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 105 BPM | ||
| Gaîté parisienne: 4. Allegro - Valse | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | A Major | 2 | 11B | 102 BPM | ||
| Puccini: Manon Lescaut, Act 3: Intermezzo | Giacomo Puccini, Herbert von Karajan, Philharmonia Orchestra | D Major | 0 | 10B | 65 BPM | ||
| Bei uns z'Haus, Walzer, Op. 361 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | C Major | 1 | 8B | 71 BPM | ||
| Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
| Luisa Miller: Overture | Giuseppe Verdi, National Philharmonic Orchestra, Peter Maag | D Minor | 2 | 7A | 137 BPM |