Igor Stravinsky, Teodor Currentzis, musicAeterna's 'The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)' had a release date set for October 9, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | A Minor | 5 | 8A | 93 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
| 10 Legends, Op. 59, B. 122: No. 3 Allegro Giusto | Slovak Radio Symphony Orchestra, Antonín Dvořák | A♭ Major | 0 | 4B | 73 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
| Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
| Iron Foundry (machine music), Op. 19 | Alexander Mosolov, Royal Concertgebouw Orchestra, Riccardo Chailly | F Minor | 7 | 4A | 117 BPM | ||
| Nocturnes, CD 98: I. Nuages | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | C Major | 0 | 8B | 90 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| String Quartet No. 8 In C Minor, Op. 110 II. Allegro molto (attacca:) | Saint Petersburg Orchestra of the State Hermitage Museum Camerata | E Minor | 2 | 9A | 142 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
| Violin Concerto No. 1: Movement I | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | D Minor | 2 | 7A | 74 BPM | ||
| Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
| Siegfried's Funeral March (Featured in "Excalibur") | Richard Wagner, CSR Symphony Orchestra, Bratislava, Uwe Mund | F Minor | 0 | 4A | 83 BPM | ||
| Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Live | Dmitri Shostakovich, Emerson String Quartet | G Major | 4 | 9B | 135 BPM |