Mark Matthews, James Griffith's 'Power Mad' had a release date set for November 17, 1997. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Power Mad's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Firestorm by Mark Matthews, James Griffith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Power Mad is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Power Mad by Mark Matthews, James Griffith is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 逆転オセロニアのテーマ | Kumi Tanioka, 逆転オセロニア | E♭ Major | 7 | 5B | 90 BPM | ||
| Crush | James Griffith, Mark Matthews | A Minor | 9 | 8A | 90 BPM | ||
| Captain Tsubasa 1983 Misugi Jun Theme | Sound Unleashed | D Major | 9 | 10B | 128 BPM | ||
| Out Of Control | Mark Matthews, James Griffith | A♭ Major | 9 | 4B | 170 BPM | ||
| The Screw - 2021 Remaster | Dan Forden | F♯ Major | 7 | 2B | 142 BPM | ||
| Bad Company | Robert J Walsh | D Major | 6 | 10B | 133 BPM | ||
| 野生の証明 | OK-Sounds | D Major | 5 | 10B | 97 BPM | ||
| Legacy | Vince DiCola | E♭ Major | 3 | 5B | 90 BPM | ||
| Twilight Waltz | James Griffith, Mark Matthews | F♯ Minor | 9 | 11A | 120 BPM | ||
| Kenji's Theme | Sergio de Prado | B Major | 9 | 1B | 148 BPM | ||
| Fighting Rhyvashi! | Sergio de Prado | B♭ Minor | 2 | 3A | 100 BPM | ||
| Komm doch nah - Instrumental Version | Winfried Bellgardt | C Major | 6 | 8B | 132 BPM | ||
| Captain Freedom's Workout | Harold Faltermeyer | E♭ Major | 9 | 5B | 142 BPM | ||
| Twighlight Harbour (watusi) | Stewart Copeland | D♭ Major | 8 | 3B | 80 BPM | ||
| Sail Away - Harbour Mix | Manuel Backert | A♭ Major | 4 | 4B | 140 BPM | ||
| The Last Show | Nandy Sanz | A♭ Major | 8 | 4B | 95 BPM | ||
| Grace And Grit | Sam Spence | F Major | 6 | 7B | 99 BPM | ||
| Ryu's Theme | Capcom Sound Team | E♭ Minor | 6 | 2A | 134 BPM | ||
| Long Distance | Yuzo Koshiro | B Major | 9 | 1B | 112 BPM | ||
| King's Court -Thailand Stage- | Hideyuki Fukasawa | D Major | 8 | 10B | 164 BPM | ||
| Fortnite Chapter 7 Island Theme (Concept) | Drubba | A Minor | 8 | 8A | 90 BPM | ||
| SUPERIOR - DW S2H MIX | コーエーテクモサウンド | A Major | 9 | 11B | 145 BPM | ||
| アーデルハイド城 | SIE Sound Team | B Minor | 6 | 10A | 150 BPM | ||
| Knockout | Mark Matthews, Sally Ann Griffith | G Major | 8 | 9B | 98 BPM | ||
| Castle Lololo (From "Kirby's Dream Land") - Orchestral Remix | Raymusique | D♭ Major | 4 | 3B | 140 BPM |