"Chase the Target" by Lorne Balfe, Assassin's Creed had its release date on November 15, 2011. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Chase the Target's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 24 in Assassin's Creed Revelations, Vol. 3 (Multiplayer) [Original Game Soundtrack] by Lorne Balfe, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Chase the Target's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chase the Target by Lorne Balfe, Assassin's Creed is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| City Of Intrigues | Mikolai Stroinski | D Minor | 8 | 7A | 80 BPM | ||
| Against All Odds | Lorne Balfe, Assassin's Creed | D♭ Major | 8 | 3B | 135 BPM | ||
| Battle with Straga | Mike Reagan | B♭ Major | 4 | 6B | 130 BPM | ||
| Medusa | The Flight, Assassin's Creed | B Major | 1 | 1B | 99 BPM | ||
| The Fight for All | Olivier Deriviere, Assassin's Creed | A♭ Minor | 5 | 1A | 80 BPM | ||
| Apocalyptic Divine Evil | Bill Brown | D♭ Major | 7 | 3B | 150 BPM | ||
| The Final Decisive Battle | NCSOUND | D Major | 8 | 10B | 103 BPM | ||
| The Marquis | Cris Velasco, Assassin's Creed | D♭ Major | 1 | 3B | 84 BPM | ||
| Watch Your Corners | Ramin Djawadi | A Minor | 4 | 8A | 136 BPM | ||
| Ancient Order | Ryan Amon, Assassin's Creed | B♭ Minor | 1 | 3A | 72 BPM | ||
| Magni and Modi | Bear McCreary | C Major | 5 | 8B | 152 BPM | ||
| Prison | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Minor | 8 | 12A | 146 BPM | ||
| Marked for Death | Brian Tyler, Assassin's Creed | A♭ Major | 4 | 4B | 92 BPM | ||
| Asymmetric Warfare | Markus Schmidt | B♭ Minor | 9 | 3A | 172 BPM | ||
| Impending Fate | Veigar Margeirsson | D♭ Major | 4 | 3B | 98 BPM | ||
| Last Goodbyes | Brian Tyler | G Minor | 3 | 6A | 90 BPM | ||
| The Sewers | Adam Skorupa | A Major | 1 | 11B | 115 BPM | ||
| Suleiman's Grief | Lorne Balfe, Assassin's Creed | D Minor | 2 | 7A | 84 BPM | ||
| Verdun | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 127 BPM | ||
| Here Be Dragons! | Stephen Barton | F Major | 5 | 7B | 109 BPM | ||
| The Wild Hunt | Krzysztof Wierzynkiewicz | G Minor | 8 | 6A | 150 BPM | ||
| Galata Tower | Jesper Kyd, Assassin's Creed | D Major | 7 | 10B | 132 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| Belle of the Balloon | Chris Tilton, Assassin's Creed | D Minor | 5 | 7A | 100 BPM | ||
| Brothers and Sisters | Olivier Deriviere | F Major | 7 | 7B | 105 BPM |