"Mountain View" by Pye Corner Audio had its release date on August 26, 2016. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Stasis". In this album, this song's track order is #14. In terms of popularity, Mountain View is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mountain View by Pye Corner Audio having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vanishing Points | Rafael Anton Irisarri | D Major | 2 | 10B | 111 BPM | ||
| Zones Without People | Oneohtrix Point Never | D♭ Minor | 10 | 12A | 120 BPM | ||
| Is This Power | The Field | F♯ Minor | 6 | 11A | 112 BPM | ||
| Glink | Bola | A Major | 6 | 11B | 180 BPM | ||
| Chile's Crimson Tide | Rainforest Spiritual Enslavement | D♭ Major | 3 | 3B | 119 BPM | ||
| Magical Zodiac | Sewus | C Major | 5 | 8B | 134 BPM | ||
| Layer 001 | Robert Henke | G Major | 3 | 9B | 98 BPM | ||
| Electronic Rhythm Number Seven | Pye Corner Audio | G Major | 7 | 9B | 100 BPM | ||
| magical | Pelador | B♭ Major | 2 | 6B | 170 BPM | ||
| Gate 03 | Kiyomasu | F Minor | 1 | 4A | 138 BPM | ||
| Kagen Sound | Luke Abbott | F♯ Major | 5 | 2B | 94 BPM | ||
| Deserted Skies | S U R V I V E | D♭ Minor | 2 | 12A | 168 BPM | ||
| Narkopop 8 | GAS | F♯ Minor | 2 | 11A | 110 BPM | ||
| VLetrmx | Autechre | C Major | 3 | 8B | 78 BPM | ||
| First, I Heard Colors - Pye Corner Audio Remix | Principles Of Geometry, Pye Corner Audio | G Major | 5 | 9B | 69 BPM | ||
| Staub und Sterne | Bersarin Quartett | E Minor | 3 | 9A | 104 BPM | ||
| Extwistle Hall | Demdike Stare | A♭ Major | 3 | 4B | 45 BPM | ||
| Blackpool Late Eighties | James Holden | G Major | 4 | 9B | 113 BPM | ||
| Signal Post | Craven Faults | F Major | 2 | 7B | 105 BPM | ||
| Hiero-Bosch For Khalil | Clark | C Minor | 5 | 5A | 82 BPM | ||
| Surfacing | Pye Corner Audio | G Major | 7 | 9B | 192 BPM | ||
| Electric Eye | Pye Corner Audio | A Major | 6 | 11B | 113 BPM | ||
| Hear Me Out | Huerco S. | E♭ Minor | 1 | 2A | 67 BPM | ||
| Castrati Stack | Tim Hecker | A Minor | 1 | 8A | 77 BPM | ||
| Subliminal | BE/HOLD | B♭ Major | 2 | 6B | 170 BPM |