Double Edge's ' "Creation" was released on its scheduled release date, January 1, 1989. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Creation's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Foot Prints by Double Edge. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Creation's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Creation by Double Edge is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Passion | Double Edge | D♭ Major | 7 | 3B | 77 BPM | ||
| U Control Me | Double Edge, Dro, R.O. | B Major | 4 | 1B | 89 BPM | ||
| Passing On | Duval Timothy, CJ Mirra | E♭ Major | 1 | 5B | 177 BPM | ||
| Child's Footprint Duo | Ernst Reijseger | B Minor | 1 | 10A | 136 BPM | ||
| The Whole Universe Wants to Be Touched | Nils Frahm | E♭ Minor | 1 | 2A | 71 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Holding Horses | Colleen | A Minor | 3 | 8A | 148 BPM | ||
| NytpyZ | ZylyP | F♯ Minor | 1 | 11A | 147 BPM | ||
| Miniature No. 16 | Jette Mogensen | A Minor | 3 | 8A | 138 BPM | ||
| Origin | Yom | E♭ Major | 1 | 5B | 177 BPM | ||
| Fear of Floating | Daniel Thorne | B Major | 2 | 1B | 87 BPM | ||
| Again And Again | Laurent Dury | D Major | 3 | 10B | 122 BPM | ||
| Take Me Back | Double Edge | F Major | 6 | 7B | 159 BPM | ||
| XIV Miserere | Davide Ambrogio | E Major | 0 | 12B | 60 BPM | ||
| Beat Canin | VITMAY | E♭ Major | 1 | 5B | 177 BPM | ||
| Vladimir Martynov: Schubert-Quintet (Unfinished): Movement II | Vladimir Martynov, Kronos Quartet | A Major | 0 | 11B | 85 BPM | ||
| In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| High | Bendik Giske | D Minor | 5 | 7A | 130 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Drifting Circles | Anne Müller | G Major | 3 | 9B | 138 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Chupachups | Neslihan Atagoz, Telepatia | C Major | 2 | 8B | 85 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM |