"Conduit" by Converge had its release date on 1998. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When Forever Comes Crashing by Michael Nyberg, FIDLAR, Infected Mushroom, Parkway Drive, Pissed Jeans, Pissed Jeans, The Casualties, The Snow, Converge. The song's track number on the album is #4 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Conduit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Conduit by Converge has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Conduit being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Response to Stars | Misery Signals | C Major | 10 | 8B | 94 BPM | ||
| Sire | Gaza | B♭ Major | 8 | 6B | 108 BPM | ||
| The One | Portrayal of Guilt | B♭ Major | 9 | 6B | 89 BPM | ||
| My Mirror No Longer Reflects | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| Skin Like Winter | Zao | G Major | 10 | 9B | 162 BPM | ||
| Maggots and Riots | TODAY IS THE DAY | A Major | 5 | 11B | 61 BPM | ||
| C. Thomas Howell as the “Soul Man” | Botch | A Major | 9 | 11B | 145 BPM | ||
| The Entire World Is Counting On Me And They Don't Even Know It | Norma Jean | F♯ Minor | 8 | 11A | 117 BPM | ||
| Until Your Heart Stops (Segue 2) | Cave In | A Major | 9 | 11B | 85 BPM | ||
| Face:Face | Norma Jean | D♭ Minor | 10 | 12A | 172 BPM | ||
| Silence Above, Quiet Below | Foundation | D♭ Major | 10 | 3B | 127 BPM | ||
| Before There Was Atlanta, There Was Douglasville | The Chariot | F Minor | 7 | 4A | 75 BPM | ||
| I Wanna Be a Sex Symbol on My Own Terms | Botch | G Major | 10 | 9B | 159 BPM | ||
| Priceless | Snapcase | B Major | 10 | 1B | 100 BPM | ||
| Gone | Disembodied | E♭ Major | 9 | 5B | 83 BPM | ||
| Memory Layne - Remastered | Blacklisted | G Major | 9 | 9B | 130 BPM | ||
| Have Patience | Coalesce | D♭ Major | 10 | 3B | 96 BPM | ||
| Fifteen Rhema | Zao | A Major | 9 | 11B | 112 BPM | ||
| I'll Clap When I'm Impressed | Dangers | F Major | 10 | 7B | 95 BPM | ||
| 7 Stitches | Disembodied | F Major | 10 | 7B | 88 BPM | ||
| Hell Comes Home | Cursed | F♯ Minor | 10 | 11A | 95 BPM | ||
| All We Love We Leave Behind | Converge | A♭ Major | 10 | 4B | 147 BPM | ||
| Bunsen | Frontierer | F♯ Minor | 10 | 11A | 155 BPM | ||
| Gnawed Flesh | Full Of Hell | F Minor | 8 | 4A | 87 BPM | ||
| The Broken Vow | Converge | A♭ Major | 9 | 4B | 179 BPM |