"Amazing Grace (Arr. W. Himes)" by Traditional, Studio Chorus, Concordia University Chicago Wind Symphony, Richard R. Fischer had its release date on September 6, 2011. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard R. Fischer's "If Thou Be Near" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Amazing Grace (Arr. W. Himes)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amazing Grace (Arr. W. Himes) by Traditional, Studio Chorus, Concordia University Chicago Wind Symphony, Richard R. Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Te Deum laudamus | Stirps Iesse, Enrico De Capitani | A Minor | 1 | 8A | 79 BPM | ||
| Women of Ireland (Arr. C. Thompson) | O'Reada, Carol Thompson | G Major | 0 | 9B | 70 BPM | ||
| 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
| Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM | ||
| Lo, how a Rose e'er blooming | Traditional, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 119 BPM | ||
| Jesus refulsit omnium | Steven Griffin, The Choir of Magdalen College, Oxford, Mark Williams | F Major | 2 | 7B | 76 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
| Heavenly Verses for Sacred Moments | Wonderworker, The Choir of Eparchy of Tripoli | D Minor | 1 | 7A | 73 BPM | ||
| Le Dernier Sommeil De La Vierge | Jules Massenet, Dave Loew | G Major | 2 | 9B | 118 BPM | ||
| Unanswered Amen | Night Monastery | E Minor | 0 | 9A | 70 BPM | ||
| Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
| The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Ave verum corpus | Wolfgang Amadeus Mozart, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | D Major | 0 | 10B | 77 BPM | ||
| Traditional: Responsorium "Libera Me" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 1 | 2B | 79 BPM | ||
| Suor Angelica, SC 87: Ave Maria, Ave Maria | Giacomo Puccini, Kristine Opolais, Bonn Theater Children's Choir, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Andris Nelsons | F Major | 0 | 7B | 111 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Salve, Regina | Hermannus Contractus, Liber Cantualis, Randall DeBruyn, Paul F. Ford | F Major | 1 | 7B | 86 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM |