MARTIN MAX, CARTER XLE's 'Maggie May Rod' had a release date set for April 20, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Martin, CARTER XLE's "Long Time" album is number 36 out of 95. On top of that, Hong Kong appears to be the country where this track was created. Maggie May Rod is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maggie May Rod by MARTIN MAX, CARTER XLE to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite Harry Potter: Lily’s Theme – Harry in Winter – Courtyard Apocalypse – Prologue (From "Harry Potter") | Angèle Dubeau, La Pietà | B Minor | 2 | 10A | 78 BPM | ||
| I'm a Believer | Max Martin, CARTER XLE | B♭ Major | 6 | 6B | 95 BPM | ||
| Ruby Red Suite | Philipp Fabian Kölmel | A♭ Major | 4 | 4B | 92 BPM | ||
| Snow On The Beach | Atwood Quartet | E♭ Major | 3 | 5B | 131 BPM | ||
| The Christening | James Newton Howard | B♭ Major | 2 | 6B | 109 BPM | ||
| Vanya's Orchestra II | Jeff Russo | B♭ Minor | 4 | 3A | 62 BPM | ||
| Strange Inventions | PHILDEL | G Minor | 4 | 6A | 145 BPM | ||
| Blood & Ash | Taylor Ash | G Minor | 4 | 6A | 127 BPM | ||
| Toxic - From "Promising Young Woman" Soundtrack | Anthony Willis | F Major | 2 | 7B | 95 BPM | ||
| To the Stars Who Listen (A Court of Thorns and Roses) | Lindsay Dills | E♭ Major | 4 | 5B | 95 BPM | ||
| Careless Whisper George Michael | Max Martin, CARTER XLE | E Minor | 1 | 9A | 75 BPM | ||
| Better Run, Better Hide | Olivier Bibeau, Jemma Lou | D♭ Major | 6 | 3B | 150 BPM | ||
| Autumn Moon | Eternal Eclipse | D Major | 3 | 10B | 99 BPM | ||
| Eleanor Rigby - Instrumental | Cody Fry | B Minor | 3 | 10A | 138 BPM | ||
| Deep End | Ruelle | C Major | 6 | 8B | 120 BPM | ||
| Time's Running Out | VG LUCAS | B♭ Minor | 6 | 3A | 140 BPM | ||
| Beautiful Mind | Travis A. King | E Minor | 3 | 9A | 100 BPM | ||
| To Whatever End | Taylor Ash | A♭ Minor | 4 | 1A | 74 BPM | ||
| All the King's Horses | Karmina | G Minor | 6 | 6A | 126 BPM | ||
| Afterlight | Eternal Eclipse | G Minor | 3 | 6A | 87 BPM | ||
| Let Go of Fear | Howard Harper-Barnes | B♭ Minor | 3 | 3A | 120 BPM | ||
| Unlocking The Mind - Extended Trailer Music | Samuel Bohn | B♭ Major | 4 | 6B | 122 BPM | ||
| Stand By Me Ben | MARTIN MAX, CARTER XLE | F Major | 1 | 7B | 88 BPM | ||
| Bridge Over | MARTIN MAX, CARTER XLE | F♯ Major | 0 | 2B | 74 BPM | ||
| Never Enough (From "The Greatest Showman") | Justin Paul, Jenny Oaks Baker, The Shadow Mountain Symphony | F♯ Major | 3 | 2B | 130 BPM |