35. Sighing softly to the river by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey Song Details

Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey's '35. Sighing softly to the river' had a release date set for January 1, 1968. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 21 out of 40. On top of that, United Kingdom appears to be the country where this track was created. 35. Sighing softly to the river is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of 35. Sighing softly to the river by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -19.509 dB
Acousticness: 96%
Danceability: 31%
Energy: 13%
Instrumentalness: 0%
Liveness: 10%
Loudness: 67%
Speechiness: 4%
Valence: 25%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Petite messe solennelle: Credo	Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov	B Major	1	1B	135 BPM
Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang)	Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia	B♭ Major	1	6B	79 BPM
La Gioconda / Act 1: Feste! Pane! Feste!	Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti	B♭ Major	4	6B	67 BPM
Elijah, Op. 70, MWV A25 / Part 1: "Baal, we cry to thee"	Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel	E Major	1	12B	83 BPM
Messa di Gloria: Cum Sancto Spiritu	Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi	F♯ Minor	0	11A	97 BPM
Il barcaiolo	Gaetano Donizetti, Cecilia Bartoli, James Levine	D♭ Major	1	3B	99 BPM
Trial by Jury: Where Is the Plaintiff?	Gilbert & Sullivan Society of Houston	F Major	2	7B	99 BPM
Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers)	Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique	G Minor	2	6A	72 BPM
Vilia from "The Merry Widow"	Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson	C Major	2	8B	96 BPM
Cavalleria rusticana - The Green Meadows Are Fragrant with Oranges	Pietro Mascagni, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner	B Major	2	1B	63 BPM
Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons)	Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper	B♭ Major	1	6B	109 BPM
Le nozze di Figaro, K. 492, Act I: Aria. Non più andrai	Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alastair Miles	G Major	2	9B	110 BPM
Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus)	Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra	D Major	3	10B	111 BPM
Turandot: Act I: Gira la cote! Gira!	Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari	D Major	2	10B	125 BPM
Gounod: Faust, Act 4: "Seigneur, daignez permettre à votre humble servante" (Marguerite, Méphistophélès, Chœur)	Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Orchestre Du Capitole De Toulouse	A Minor	1	8A	94 BPM
Messa di Gloria: Credo in unum Deum	Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi	F♯ Minor	0	11A	97 BPM
Wagner: Lohengrin, Act 1: "Nun sei bedankt, mein lieber Schwan" (Lohengrin, Henry, Chorus)	Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin	B♭ Major	2	6B	130 BPM
Gloria, FP 177: I. Gloria in excelsis Deo	Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge	A Minor	3	8A	95 BPM
The Dream of Gerontius, Op. 38, Pt.2: Dispossessed, aside thrust	Edward Elgar, Hallé, Sir Mark Elder	C Minor	2	5A	116 BPM
Peter and the Wolf, Op. 67: V. Grandfather	Wiener Opernorchester	D♭ Major	1	3B	77 BPM
Sullivan: The Mikado or The Town of Titipu, Act 1: No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)	Arthur Sullivan, Richard Lewis/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra	F Major	1	7B	81 BPM
Trial by Jury: When First My Old, Old Love I Knew	Gilbert & Sullivan Society of Houston	D Major	2	10B	77 BPM
H.M.S. Pinafore, Act I: Ballad. Sorry Her Lot	Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Rebecca Evans	C Major	1	8B	100 BPM
Forkladd gud, Op. 24: Kring hostlig vaktelds brander	Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg	E♭ Major	2	5B	115 BPM
The Mikado / Act 1: 15. The threaten'd cloud has pass'd away	Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash	E♭ Major	3	5B	115 BPM