On January 1, 1995, the song "Alma De Bohemio" was released by Ricardo Tanturi, Osvaldo Ribó. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Alma De Bohemio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 78 in Así se Baila el Tango by Ricardo Tanturi. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Alma De Bohemio's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Alma De Bohemio by Ricardo Tanturi, Osvaldo Ribó is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Todo es amor | Orquesta Fulvio Salamanca, Armando Guerrico | A Major | 3 | 11B | 123 BPM | ||
| La Serenata de Ayer | Juan D'Arienzo and his Orchestra, Héctor Mauré | D Major | 5 | 10B | 112 BPM | ||
| Mariana | Ricardo Malerba | C Major | 6 | 8B | 96 BPM | ||
| Ole guapa | Florindo Sassone Y Su Orquesta | D Major | 3 | 10B | 116 BPM | ||
| Pata Ancha - Instrumental | Osvaldo Pugliese | D Major | 3 | 10B | 118 BPM | ||
| Invierno | Cuarteto Mulenga | A Major | 4 | 11B | 123 BPM | ||
| Mano cruel | Orquesta Fulvio Salamanca, Jorge Garré, Armando Guerrico | F Major | 4 | 7B | 127 BPM | ||
| Telon | Osvaldo Fresedo y su Orquesta Típica | A Minor | 3 | 8A | 131 BPM | ||
| Seis Dias | Ricardo Tanturi, Enrique Campos | C Major | 6 | 8B | 96 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| Al Compas de un Tango | Ricardo Tanturi | G Major | 5 | 9B | 132 BPM | ||
| Sacachispas | Julio De Caro, Luis Díaz | D Major | 6 | 10B | 98 BPM | ||
| Maleza | Alberto Morán, Enrique Munne, Orquesta Osvaldo Pugliese | B♭ Major | 2 | 6B | 117 BPM | ||
| Derrotado | Roberto Florio, Orquesta Carlos di Sarli | A Major | 4 | 11B | 112 BPM | ||
| Una fija (Glorias de ayer) | Orquesta Carlos di Sarli | D Major | 4 | 10B | 116 BPM | ||
| La Piba De Los Jazmines - Versión Alternativa | Ricardo Malerba | C Major | 6 | 8B | 96 BPM | ||
| Que Tiempo Aquel de Ayer | Francisco Lomuto, Jorge Omar | C Major | 6 | 8B | 96 BPM | ||
| Tango Brujo | Juan D'Arienzo, Héctor Mauré | C Major | 6 | 8B | 96 BPM | ||
| Gallo Ciego | La Juan D'Arienzo | F Major | 4 | 7B | 129 BPM | ||
| Vencida | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 141 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM | ||
| Soy muchacho de la guardia | Orquesta Anibal Troilo, Francisco Fiorentino | C Major | 3 | 8B | 129 BPM | ||
| Todo | Carlos Di Sarli, Roberto Rufino | C Minor | 4 | 5A | 125 BPM |