"パシフィック・ブルー" by Tatsuhiko Yamamoto, クロス・ビート had its release date on October 21, 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 太陽がいっぱい, so we believe that "パシフィック・ブルー" is a single. パシフィック・ブルー is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of パシフィック・ブルー by Tatsuhiko Yamamoto, クロス・ビート is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 女であれ、男であれ | Hiromi Go | B♭ Major | 7 | 6B | 173 BPM | ||
| LAST JUNCTION | Miki Imai | E Minor | 6 | 9A | 123 BPM | ||
| 坂道はパール色 | Kaoru Sudo | A Major | 5 | 11B | 107 BPM | ||
| 冒険王 | Yoshitaka Minami | G Major | 5 | 9B | 99 BPM | ||
| 冬のスクリーン | Tatsuhiko Yamamoto | D Minor | 3 | 7A | 131 BPM | ||
| 過ぎてゆくすべてに - Remastered 2022 | Eikichi Yazawa | C Major | 2 | 8B | 123 BPM | ||
| SCOTCH AND RAIN | Yoshitaka Minami | A Minor | 4 | 8A | 127 BPM | ||
| Hoshi Furu Yoru ni Serenade | Tunnels | E♭ Major | 1 | 5B | 78 BPM | ||
| 蒼い雨 | Junichi Inagaki | D♭ Minor | 5 | 12A | 146 BPM | ||
| 男は明日はくためだけの靴を磨く | Kaze | D Minor | 5 | 7A | 126 BPM | ||
| I LOVE YOU SO | Tatsuhiko Yamamoto | C Major | 6 | 8B | 136 BPM | ||
| 愛は風まかせ | Hiroaki Igarashi | F♯ Minor | 4 | 11A | 146 BPM | ||
| 季節は回転木馬のように(シングルバージョン) | Billy Ban Ban | D Minor | 4 | 7A | 125 BPM | ||
| サヨナラ模様 | 伊藤敏博 | F Minor | 4 | 4A | 134 BPM | ||
| いつかきっと微笑みへ | Yang Soo Kyung | D♭ Minor | 4 | 12A | 72 BPM | ||
| Sincerely (Day & Day) | Masatoshi Nakamura | G Major | 7 | 9B | 149 BPM | ||
| 夢だけ見てる | Koji Tamaki | E Minor | 2 | 9A | 146 BPM | ||
| 恋のテクニック | Junichi Inagaki | E Major | 6 | 12B | 146 BPM | ||
| 嘘の台詞(ダイアローグ) | Tatsuhiko Yamamoto | F Major | 5 | 7B | 143 BPM | ||
| Darlin′ | Kiyomi Suzuki, Rats & Star | D Major | 9 | 10B | 141 BPM | ||
| 時には | Kaze | B♭ Major | 7 | 6B | 108 BPM | ||
| くちびるの赤 | Satoshi Ikeda | E♭ Minor | 4 | 2A | 104 BPM | ||
| LAST SHOW | Tatsuhiko Yamamoto | E Major | 4 | 12B | 114 BPM | ||
| 愛のナイフ | N.S.P | F Major | 3 | 7B | 103 BPM | ||
| さよならの足音 | Stardust Revue | F♯ Minor | 6 | 11A | 74 BPM |