Rajendra Kotwal's ' "Maro Aalelo Phone Lai Gai" was released on its scheduled release date, December 17, 2024. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rajendra Kotwal's "Mena Popat Ni Jod (Chapter-2)" album is number 12 out of 20. On top of that, India appears to be the country where this track was created. In terms of popularity, Maro Aalelo Phone Lai Gai is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maro Aalelo Phone Lai Gai by Rajendra Kotwal to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Ghughri Bariya Ma 16 Ghughri | Anil Piplaj | F♯ Minor | 9 | 11A | 140 BPM | ||
| Tiludi | Nitesh Mali, Kailash Sen | F♯ Major | 10 | 2B | 130 BPM | ||
| Gadar 2 Part 3 | Rajendra Kotwal | B♭ Minor | 9 | 3A | 200 BPM | ||
| Mari Jaanu Bhaneli Hoie To Vachje | Rajendra Kotwal, DJ Dharmesh Savli, Dj Piyush Savli | F Minor | 7 | 4A | 130 BPM | ||
| Sima Poyri Part 3 | Narvat Rathva | F♯ Minor | 9 | 11A | 132 BPM | ||
| Tarati Pyaar Kar Rahali | Kallu bandodiya2, Malsingh Baghel | D♭ Minor | 9 | 12A | 116 BPM | ||
| Gadi Tuy Ruy Kore | Ads Vijju Chouhan, Ratan Rana | C Minor | 10 | 5A | 150 BPM | ||
| Tadi Tu Pile Mara Tadni | Ramesh Mujhalda, Rahul Baghel | C Minor | 10 | 5A | 150 BPM | ||
| School Ke Tem Pe | Sujit Minj, Chinta Devi | C Minor | 10 | 5A | 150 BPM | ||
| GOLAPIR MAI 2 | Mohan Baskey, Purnima Mandi | C Major | 9 | 8B | 155 BPM | ||
| Maro Dil Titiyo | Hashiram Alawe | F♯ Major | 9 | 2B | 130 BPM | ||
| Chalo Timli Ramva | Ishwar Thakor | C Minor | 9 | 5A | 132 BPM | ||
| Dil Todta Tu Ka Sikhi-VK No Craz | VK Bhuriya | C Major | 9 | 8B | 128 BPM | ||
| Mohani Ghutka Ma Khawadiyo Pt2 | Sanjay Mandloi | F♯ Major | 9 | 2B | 136 BPM | ||
| Tara Jevi 17 Rakhu | Tirat Sangada, Vipul Damor, Nikul Damor | B♭ Minor | 6 | 3A | 110 BPM | ||
| Sinda Khane Gayli-Bindiya Express | Mahesh Nargawa, Ghanshyam Rathva | F♯ Major | 9 | 2B | 144 BPM | ||
| Gudu Musha | Sujit Minj | C Minor | 10 | 5A | 150 BPM | ||
| Juwanay Mari Monalisa Dekhaye | Rahul Singhaniya, Jeevan Devka, Sapna Pancholi | D♭ Major | 9 | 3B | 143 BPM | ||
| Maru DJ Jabbar Vage | Vk Bhuriya | A♭ Minor | 10 | 1A | 116 BPM | ||
| Akkar Chakkar Desi (Remix) | Jigar Thakor, Rutvij Joshi | D♭ Major | 10 | 3B | 134 BPM | ||
| Ghera Wali Ghaghri Jama Bara Bar | Jiten Baghel, Sapna Pancholi | B Minor | 9 | 10A | 110 BPM | ||
| Tara Mor Boli Jase Title Song | Parul Rathva | C Minor | 10 | 5A | 150 BPM | ||
| Bhangoriya Ma Ghulaysi Nani Pt-2 | Sanjay Mandloi | F Minor | 9 | 4A | 115 BPM | ||
| Navla Saal Ma Number Lagado | Rakesh Dudwe | A♭ Minor | 9 | 1A | 144 BPM | ||
| Adla Badli Kar Janu-Pili Pataliye Behigi Janu | VK Bhuriya, Pravin R Bhabhor | E♭ Minor | 9 | 2A | 118 BPM |