"Kill Them First" by Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli had its release date on October 19, 2012. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Kill Them First's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Skyfall". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. Based on our statistics, Kill Them First's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kill Them First by Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oliver Queen Suite | Blake Neely | D♭ Major | 2 | 3B | 95 BPM | ||
| The Wave | Clinton Shorter | D Minor | 4 | 7A | 119 BPM | ||
| Stand Off | Roque Baños | D♭ Major | 2 | 3B | 90 BPM | ||
| Fire Up The Shuttle | Ryan Amon | C Major | 9 | 8B | 95 BPM | ||
| Ivan's Metamorphosis | John Debney | C Minor | 2 | 5A | 98 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Rest in Peace | Ludwig Goransson | G Major | 1 | 9B | 92 BPM | ||
| Brothers Fight | Patrick Doyle | A Major | 2 | 11B | 141 BPM | ||
| Grand Bazaar, Istanbul | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | C Minor | 6 | 5A | 91 BPM | ||
| Mayhem In Monaco | John Debney | E Minor | 4 | 9A | 140 BPM | ||
| The War Of Succession | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Naval Clash | Johan Söderqvist, Patrik Andrén | F Major | 8 | 7B | 90 BPM | ||
| First Rescue | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| The Syndicate | Joe Kraemer | B Minor | 0 | 10A | 80 BPM | ||
| New Direction | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 3 | 3B | 92 BPM | ||
| Return to Alamut | Harry Gregson-Williams | D♭ Major | 3 | 3B | 115 BPM | ||
| Nothing Is Certain | Max Aruj, Alfie Godfrey | D♭ Major | 2 | 3B | 93 BPM | ||
| THE ALGORITHM | Ludwig Göransson | F Minor | 6 | 4A | 100 BPM | ||
| Days of Alderaan | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Radio Broadcast | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 1 | 4B | 59 BPM | ||
| Treasure | Geoff Zanelli | D Minor | 8 | 7A | 129 BPM | ||
| The Chimes at Midnight | Thomas Newman | D Major | 5 | 10B | 67 BPM | ||
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM |