"Road Signs Variations: Split, Postcards from Far Away" by Ezio Bosso had its release date on March 31, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Road Signs Variations". In this album, this song's track order is #8. In terms of popularity, Road Signs Variations: Split, Postcards from Far Away is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Road Signs Variations: Split, Postcards from Far Away by Ezio Bosso having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Modulation: Looping Bach | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Minor | 1 | 6A | 122 BPM | ||
| Veiled | Federico Albanese | G Minor | 2 | 6A | 194 BPM | ||
| Bobbi Jene | Uno Helmersson | C Minor | 1 | 5A | 184 BPM | ||
| Jumpman Quintet | Kirill Richter | F Major | 2 | 7B | 177 BPM | ||
| The Things That Remain | Ezio Bosso | G Minor | 2 | 6A | 64 BPM | ||
| Les feuilles mortes | Jean-Michel Blais | C Minor | 1 | 5A | 136 BPM | ||
| The Train II | Amen | C Minor | 5 | 5A | 105 BPM | ||
| Vientulais Engelis: Meditation for Violin and String Orchestra | Pēteris Vasks, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 3 | 11B | 107 BPM | ||
| Maximilian's Masterplan | Pieter de Graaf | B Minor | 4 | 10A | 162 BPM | ||
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Aria | Balanescu Quartet | E Minor | 2 | 9A | 140 BPM | ||
| Her Eyes the Stars | Patrik Berg Almkvisth, LUCHS | D♭ Minor | 1 | 12A | 148 BPM | ||
| La mer au fond de tes yeux - The Shape Of Piano To Come Vol. I | Dominique Charpentier | G Major | 7 | 9B | 160 BPM | ||
| Spiegel im Spiegel for Violin and Piano | Arvo Pärt, Vadim Gluzman, Angela Yoffe | B♭ Major | 0 | 6B | 93 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Nureyev | Ilan Eshkeri, Lisa Batiashvili, Dudana Mazmanishvili | F Major | 1 | 7B | 117 BPM | ||
| In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM | ||
| In a Landscape "The Smallest Room" | John Cage, Ezio Bosso | D Minor | 0 | 7A | 120 BPM | ||
| Tribal | Sebastian Plano, Jeffrey Zeigler | B♭ Minor | 3 | 3A | 59 BPM | ||
| Optimist | Zoë Keating | E♭ Major | 2 | 5B | 138 BPM | ||
| il | Jean-Michel Blais | E Major | 4 | 12B | 104 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| Etude in C Minor, Op. 5 No. 1 | Milenna Jovic | C Minor | 0 | 5A | 98 BPM | ||
| There Will Be Hope | Hania Rani, Dobrawa Czocher | D Minor | 2 | 7A | 99 BPM | ||
| Soleil Levant | Massimo Albanese | E Minor | 1 | 9A | 131 BPM |