Karel Husa, Patrick Carney, Steve Carney, Melissa Bushee, Terry Caviness, Bob Lyons, John Raschella, Jeff Stockham, Josh Dekaney's ' "Intradas and Interludes: Interlude I" was released on its scheduled release date, August 7, 2012. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karel Husa, John Daniel, Rob Parton's "Husa: Trumpet Concertos" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Intradas and Interludes: Interlude I's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Intradas and Interludes: Interlude I by Karel Husa, Patrick Carney, Steve Carney, Melissa Bushee, Terry Caviness, Bob Lyons, John Raschella, Jeff Stockham, Josh Dekaney to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Nebula Lullaby | Astrid Voix | F♯ Major | 1 | 2B | 72 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| Machu Picchu, "City in the Sky" | Satoshi Yagisawa, University of Texas at El Paso Symphonic Winds, Ron Hufstader | C Major | 1 | 8B | 79 BPM | ||
| V. Lou Cabridan | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | G Major | 1 | 9B | 150 BPM | ||
| American Hymnsong Suite: III Scherzo On Nettleton | Dwayne S. Milburn, The University of Southern Mississippi Wind Ensemble, Thomas V. Fraschillo | E♭ Major | 2 | 5B | 50 BPM | ||
| Sonata 'Vox Gabrieli': (Sulek) | Joseph Alessi | F♯ Major | 1 | 2B | 73 BPM | ||
| A midnight dance...through the poison garden - Live | Ryan George, Ådalsbruk Musikkforening, Christian Skarbø Tenfjord | C Major | 1 | 8B | 123 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: IV. Des Helden Walstatt - (Live) | Richard Strauss, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | C Minor | 4 | 5A | 110 BPM | ||
| Alto Saxophone Concerto: I. Prologue | Karel Husa, David Bristol, Ithaca College Wind Ensemble, Rodney Winther | D Minor | 1 | 7A | 68 BPM | ||
| The Seeker | David Maslanka, The University of Utah Wind Ensemble, Scott Hagen | D Minor | 3 | 7A | 180 BPM | ||
| Music for Prague 1968: Introduction and Fanfare | Karel Husa, Los Angeles Philharmonic, Esa-Pekka Salonen | C Minor | 2 | 5A | 81 BPM | ||
| On the Shoulders of Giants: III. Fantasie brillante | Peter Graham, Black Dyke Band, Nicholas Childs | D♭ Major | 1 | 3B | 138 BPM | ||
| ドラゴンの年 I. トッカータ | Philip Sparke, Osaka Shion Wind Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
| Euphonium Concerto: III. Finale. Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 151 BPM | ||
| Wine-Dark Sea (Symphony for Band): III. The Attentions of Souls | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | A Minor | 1 | 8A | 70 BPM | ||
| Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
| Variations On "America" | US Marine Band | F Major | 1 | 7B | 118 BPM | ||
| Music for Prague 1968: No. 2, Aria | Karel Husa, Tomáš Brauner, Prague Symphony Orchestra | C Major | 1 | 8B | 63 BPM | ||
| Concerto for Wind Ensemble: IV. Soul | Kevin Day, ASU Wind Ensemble, Jason Caslor | B♭ Major | 1 | 6B | 134 BPM | ||
| Serenade for Wind Quintet, Strings, Xylophone and Harp: I. La Montagne | Karel Husa, Prague Philharmonia, Emmanuel Villaume, Belfiato Quintet | D Major | 0 | 10B | 70 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| マウンテン・ロード: I. 序曲 | デイヴィッド・マスランカ, 雲井雅人サックス四重奏団 | D♭ Major | 1 | 3B | 69 BPM |