Bryce Bond's ' "Let My People Go" was released on its scheduled release date, January 1, 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bryce Bond's "God's Trombones by James Weldon Johnson" album is number 3 out of 7. Let My People Go is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Let My People Go by Bryce Bond to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trial by Jury: Where Is the Plaintiff? | Gilbert & Sullivan Society of Houston | F Major | 2 | 7B | 99 BPM | ||
| The Flood Abates | Bible Dreaming | D♭ Major | 7 | 3B | 120 BPM | ||
| Digging | Seamus Heaney | C Minor | 1 | 5A | 35 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| The Wheel of the Quivering Meat Conception (with Steve Allen) | Jack Kerouac | D♭ Major | 1 | 3B | 87 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| South Coast | Mike Hobson | B Minor | 4 | 10A | 62 BPM | ||
| Arise, My Soul Arise | Singing Grandpa | B Minor | 4 | 10A | 62 BPM | ||
| Processional / Maria - 1965 Original Soundtrack Version | Buddy Cole, Irwin Kostal | C Major | 2 | 8B | 157 BPM | ||
| Chapter 1 - The Doctor's Dilemma | George Bernard Shaw, Jane Carr, Gregory Cooke, Kenneth Danziger, Roy Dotrice, martin jarvis, Jennifer Dundas, Simon Templeman, Douglas Weston, Paxton Whitehead | C Major | 1 | 8B | 50 BPM | ||
| The Sound of Singing | Eric Bogle | E Minor | 2 | 9A | 114 BPM | ||
| The Reluctant Cannibal | Flanders & Swann | F Major | 4 | 7B | 86 BPM | ||
| Hop Hop Hop | The Oldham Tinkers | E Major | 2 | 12B | 99 BPM | ||
| Went to See My Susie | George Armstrong | E♭ Major | 2 | 5B | 114 BPM | ||
| The force that through the green fuse drives the flower | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| Father William | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| How the West Was Won (Finale) | Alfred Newman | B♭ Major | 4 | 6B | 99 BPM | ||
| The Union Train | The Almanac Singers | D Major | 3 | 10B | 97 BPM | ||
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| In The Sweet By And By | Lowell Webster, Don Mathews, Luke Lenhart | E Major | 2 | 12B | 75 BPM | ||
| Gentle Annie | Gordon Bok, Ann Mayo Muir, Ed Trickett | A Major | 0 | 11B | 135 BPM | ||
| 3 Disturbing True Library Horror Stories, Pt. 4 | Mr. Nightmare | A Minor | 3 | 8A | 74 BPM | ||
| Donkey Riding | Wade Hemsworth | B Major | 3 | 1B | 134 BPM | ||
| Hungry Mungry | Shel Silverstein | B Major | 3 | 1B | 104 BPM |