Harry Partch's ' "Chromelodeon I" was released on its scheduled release date, 1969. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Chromelodeon I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Chromelodeon I's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chromelodeon I by Harry Partch having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barren Heart | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Bye Bye Butterfly | Pauline Oliveros | F♯ Major | 4 | 2B | 71 BPM | ||
| TE VAS | Maria Leonor Hernandez Duran | C Major | 0 | 8B | 57 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Kowaka D'Amour | Robbie Basho | A♭ Major | 2 | 4B | 147 BPM | ||
| Cuenta cuatro 8 | el nef | A♭ Minor | 7 | 1A | 180 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Immobilité | Delphine Dora | A Minor | 1 | 8A | 130 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Huaylash de Amor | Los Andes del Ritmo | G Major | 5 | 9B | 84 BPM | ||
| The River Has Overflown | Aram Bajakian | E Minor | 2 | 9A | 74 BPM | ||
| Chorus Scene | Sarah Davachi | C Minor | 0 | 5A | 133 BPM | ||
| Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | E♭ Major | 0 | 5B | 137 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| Improvised Music #2 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | A♭ Minor | 4 | 1A | 109 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Hildegund | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM | ||
| mad vizier's invocation | John Sweeney | F Major | 2 | 7B | 85 BPM | ||
| Rising Thermal 14° 16' N; 32° 28' E | Jon Hassell, Brian Eno | E♭ Major | 0 | 5B | 74 BPM | ||
| Tarot | Cyclobe | A Minor | 4 | 8A | 55 BPM | ||
| Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
| Invisible Parades, Namassivaya | Vighnesh Maharaj Peters | E Minor | 2 | 9A | 120 BPM | ||
| It's Gonna Rain, Pt. I (1965) | Steve Reich | A Major | 5 | 11B | 75 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Delusion of the Fury: Emergence of the Spirit | Harry Partch, Ensemble Musikfabrik | G Major | 3 | 9B | 123 BPM |