"FFVII REMAKE: Catastrophe" by 牧野 忠義 had its release date on 1997. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. FFVII REMAKE: Catastrophe's duration is considered a little bit shorter than the average duration of a typical track. The song is number 142 out of 156 in FINAL FANTASY VII REMAKE Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, FFVII REMAKE: Catastrophe's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of FFVII REMAKE: Catastrophe by 牧野 忠義 is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| The Fight Is On! | Yoko Shimomura | C Major | 6 | 8B | 156 BPM | ||
| FFVII REMAKE: Arbiter of Fate - Advent | Masashi Hamauzu | D♭ Major | 9 | 3B | 83 BPM | ||
| The Dalmasca Estersand (From "Final Fantasy XII") | Hitoshi Sakimoto | F♯ Minor | 5 | 11A | 149 BPM | ||
| CRISIS CORE Theme - The Scars That Remain | 石元 丈晴 | G Major | 3 | 9B | 84 BPM | ||
| Es it foron! - A Prayer | 鈴木克崇 | G Minor | 7 | 6A | 135 BPM | ||
| Heteromorphy | Falcom Sound Team jdk | A♭ Minor | 7 | 1A | 80 BPM | ||
| ”APOCALYPSIS NOCTIS” from FINAL FANTASY XV - Arrangement | 石元丈晴, 佐藤 賢太郎 | A Minor | 10 | 8A | 140 BPM | ||
| Final Fantasy (Final Fantasy Series) | Arnie Roth, Distant Worlds Philharmonic Orchestra | F Major | 4 | 7B | 129 BPM | ||
| FFVII REMAKE: Getaway | 植松 伸夫 | G Major | 7 | 9B | 76 BPM | ||
| Ayakashi III | Yugo Kanno | F Minor | 5 | 4A | 120 BPM | ||
| A Lightless Journey | Yasunori Mitsuda | C Major | 1 | 8B | 71 BPM | ||
| FFVII REMAKE: Undercity Suns | 島 翔太朗 | A♭ Major | 5 | 4B | 136 BPM | ||
| FFVII REMAKE: Let the Battles Begin! - Ex-SOLDIER | 植松 伸夫 | F Minor | 4 | 4A | 136 BPM | ||
| To Everlasting Glory | CODE VEIN サウンドチーム, Bandai Namco Game Music | A♭ Minor | 5 | 1A | 120 BPM | ||
| Murmurs from the Land Forbidden | Akihiko Narita | D♭ Major | 3 | 3B | 149 BPM | ||
| Final Fantasy III: Eternal Wind | Arnie Roth, Distant Worlds Philharmonic Orchestra | A Minor | 4 | 8A | 125 BPM | ||
| Final Fantasy VII Remake: Those Chosen by the Planet – Destiny Comes | Arnie Roth, Distant Worlds Philharmonic Orchestra | F Major | 4 | 7B | 129 BPM | ||
| In a Trance | 鈴木克崇 | A♭ Major | 9 | 4B | 160 BPM | ||
| Piano: The Worm's Tail | Keiko | D♭ Major | 4 | 3B | 91 BPM | ||
| The Chase | Justin Frieden | E Major | 1 | 12B | 184 BPM | ||
| The Archadian Empire | Hitoshi Sakimoto | C Major | 3 | 8B | 90 BPM | ||
| The Professor - A Spectre Revived | Hiromitsu Maeba | C Major | 2 | 8B | 105 BPM | ||
| FFVII REMAKE: Wall Market - The Town That Never Sleeps | 鈴木 光人 | D Minor | 3 | 7A | 204 BPM | ||
| 「DISSIDIA - opening -」 from DISSIDIA FINAL FANTASY | 石元 丈晴 | D Minor | 8 | 7A | 81 BPM |