George Jones, Tammy Wynette's ' "We're Putting It Back Together" was released on its scheduled release date, February 1, 1975. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. We're Putting It Back Together's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Jones, Tammy Wynette's "George & Tammy & Tina" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. We're Putting It Back Together is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of We're Putting It Back Together by George Jones, Tammy Wynette to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barstool Mountain | Johnny Paycheck | D Major | 4 | 10B | 133 BPM | ||
| Rose Colored Glasses | John Conlee | A♭ Major | 4 | 4B | 114 BPM | ||
| Statue Of A Fool | Ricky Van Shelton | C Major | 2 | 8B | 112 BPM | ||
| Daddy Never Was the Cadillac Kind | Confederate Railroad | E Major | 5 | 12B | 77 BPM | ||
| Stranger | Johnny Duncan, Janie Fricke | F Major | 6 | 7B | 118 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Roll On (Eighteen Wheeler) | Alabama | F Major | 5 | 7B | 132 BPM | ||
| Her Name Is... | George Jones | G Major | 4 | 9B | 82 BPM | ||
| Sunday In The South | Shenandoah | G Major | 4 | 9B | 91 BPM | ||
| Colorado Cool-Aid | Johnny Paycheck | G Major | 4 | 9B | 91 BPM | ||
| Cold, Cold Heart | Hank Williams | D Major | 2 | 10B | 113 BPM | ||
| Grandpa (Tell Me 'Bout The Good Old Days) | The Judds | E Major | 2 | 12B | 202 BPM | ||
| She's All I Got | Johnny Paycheck | D Major | 1 | 10B | 68 BPM | ||
| Third Rate Romance | Sammy Kershaw | B♭ Major | 8 | 6B | 117 BPM | ||
| Take Me Down | Alabama | D♭ Major | 3 | 3B | 130 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| Seein' My Father In Me | Paul Overstreet | E Major | 5 | 12B | 143 BPM | ||
| Long Black Veil | Lefty Frizzell | E Major | 2 | 12B | 63 BPM | ||
| Misery Loves Company | Porter Wagoner | F Major | 4 | 7B | 189 BPM | ||
| It's Such A Pretty World Today | Wynn Stewart | E Major | 5 | 12B | 118 BPM | ||
| Memory Maker | Mel Tillis | B♭ Major | 5 | 6B | 132 BPM | ||
| Love Is Alive | The Judds | E Major | 4 | 12B | 86 BPM | ||
| Does My Ring Hurt Your Finger | Charley Pride | B Major | 4 | 1B | 108 BPM | ||
| What My Woman Can't Do | George Jones | F♯ Major | 2 | 2B | 92 BPM | ||
| Guitar Town | Steve Earle | G Major | 5 | 9B | 166 BPM |