Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks's ' "Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz" was released on its scheduled release date, January 1, 2016. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 9 out of 25. On top of that, Germany appears to be the country where this track was created. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Pieces, Op. 83: I. Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 78 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio - Redbook Stereo | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London | G Major | 3 | 9B | 105 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Violin Sonata in D Minor, Op. 36: I. Allegretto | Gabriel Pierné, Maria Milstein, Nathalia Milstein | D♭ Major | 2 | 3B | 90 BPM | ||
| Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese | Johannes Brahms, Martha Argerich, Gidon Kremer, Yuri Bashmet, Mischa Maisky | G Major | 1 | 9B | 88 BPM | ||
| Suite española No. 1, Op. 47: Aragón (Fantasia) | Isaac Albéniz, Alicia de Larrocha | F Major | 1 | 7B | 79 BPM | ||
| Ravel: Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato | Maurice Ravel, Vadim Repin | A Major | 1 | 11B | 123 BPM | ||
| Sonata in G Minor for Cello and Piano, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | G Major | 1 | 9B | 79 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio (live) | Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana | D♭ Major | 4 | 3B | 80 BPM | ||
| Poème, Op. 25 | Ernest Chausson, Jascha Heifetz, Izler Solomon, RCA Victor Symphony Orchestra | E♭ Minor | 2 | 2A | 106 BPM | ||
| Piano Quintet, BB 33: Vivace - Scherzando | Béla Bartók, Kodály Quartet, Jenő Jandó | G Minor | 3 | 6A | 121 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 3, Alla Czeca | Erwin Schulhoff, Leonkoro Quartet | C Major | 2 | 8B | 94 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | D♭ Major | 1 | 3B | 101 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Sizzle and Spice | Estoria | C Major | 2 | 8B | 94 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64: Capulets and Montagues (Arr. Grjunes for Violin and Piano) | Sergei Prokofiev, Nemanja Radulović, Laure Favre-Kahn | C Major | 2 | 8B | 94 BPM | ||
| Poulenc: Cello Sonata, FP 143: I. Allegro - Tempo di marcia | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 0 | 4A | 174 BPM | ||
| Saint-Saëns: Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato | Camille Saint-Saëns, Renaud Capuçon, Bertrand Chamayou | B♭ Major | 0 | 6B | 118 BPM | ||
| 4 piezas españolas: I. Aragonesa (Allegro) | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | C Major | 2 | 8B | 94 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 2 | 8B | 94 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM |