"How Deep Is The Ocean" by Helen Forrest had its release date on 2004. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. How Deep Is The Ocean's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helen Forrest's "Helen Forrest: The Complete World Transcriptions" album is number 7 out of 50. On top of that, United States appears to be the country where this track was created. How Deep Is The Ocean is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How Deep Is The Ocean by Helen Forrest to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| The Trouble With Me Is You | Red McKenzie | A♭ Major | 4 | 4B | 109 BPM | ||
| Nevertheless I'm in Love with You | Ray Anthony | A♭ Major | 4 | 4B | 109 BPM | ||
| Blues in the Night | Woody Herman & His Orchestra | C Major | 2 | 8B | 89 BPM | ||
| Lilacs in the Rain | Tony Martin | G Major | 1 | 9B | 106 BPM | ||
| Just A Fair-Weather Friend | Kenny Sargent | A Major | 1 | 11B | 61 BPM | ||
| Road To Morocco: Ain't Got a Dime To My Name (Ho Hum) | Bob Hope | C Minor | 2 | 5A | 135 BPM | ||
| Where Was I? (From "'Til We Meet Again") | Charlie Barnet & His Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| A Sail Boat in the Moonlight | Guy Lombardo & His Royal Canadians | A♭ Major | 4 | 4B | 109 BPM | ||
| It Might As Well Be Spring | Dick Haymes | A♭ Major | 4 | 4B | 109 BPM | ||
| I Ain't Talkin Though It's All over Town | Pearl Bailey | F Minor | 1 | 4A | 106 BPM | ||
| Do I Love You | Artie Shaw & His Orchestra, Helen Forrest | A Minor | 2 | 8A | 83 BPM | ||
| A Wonderful Guy | Tex Beneke | A♭ Major | 4 | 4B | 109 BPM | ||
| Give Me Something To Dream About | Jo Stafford | E Minor | 2 | 9A | 96 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| If You Ever Should Leave | Ella Fitzgerald and Her Savoy Eight | A Minor | 1 | 8A | 109 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| I Apologize | Billy Eckstine | D♭ Major | 4 | 3B | 170 BPM | ||
| We Just Couldn't Say Goodbye - Remastered | Annette Hanshaw | C Major | 3 | 8B | 114 BPM | ||
| How High The Moon | Helen Forrest | E♭ Minor | 2 | 2A | 138 BPM | ||
| The Starlit Hour | Ella Fitzgerald and Her Famous Orchestra | B♭ Major | 1 | 6B | 100 BPM | ||
| One More Tomorrow | Frankie Carle | A♭ Major | 4 | 4B | 109 BPM | ||
| It's De-Lovely | Jeri Southern | F Minor | 1 | 4A | 149 BPM | ||
| Milkman, Keep Those Bottles Quiet | Ella Mae Morse | A♭ Major | 4 | 4B | 109 BPM | ||
| How Come You Do Me Like You Do? | Helen Forrest | F Major | 0 | 7B | 99 BPM |