"Oceanus Procellarum 5" by Ensemble Resonanz, Elliott Sharp, Gareth Davis had its release date on May 19, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Oceanus Procellarum". In this album, this song's track order is #5. Oceanus Procellarum 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oceanus Procellarum 5 by Ensemble Resonanz, Elliott Sharp, Gareth Davis having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
| mercy seat – winterreise: Im Dorfe | Franz Schubert, Ensemble Resonanz, Charly Hübner, kalle kalima, Carlos Bica, Max Andrzejewski | C Major | 3 | 8B | 123 BPM | ||
| Symphony in G Major, Wq.171: III. Allegretto | Carl Philipp Emanuel Bach, Ensemble Resonanz, Riccardo Minasi | G Major | 1 | 9B | 129 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
| Stabat Mater, P. 77: I. Stabat Mater dolorosa. Grave | Giovanni Battista Pergolesi, Ensemble Resonanz, Riccardo Minasi, Giulia Semenzato, Lucile Richardot | F Minor | 1 | 4A | 76 BPM | ||
| Violin Sonata in E Minor, P. 85: II. Adagio, ma non tanto (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 105 BPM | ||
| Violin Concerto in E-Flat Major, RV 257: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | A Major | 3 | 11B | 138 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, BBC Scottish Symphony Orchestra, Steven Osborne, Ludovic Morlot | G Major | 1 | 9B | 112 BPM | ||
| mercy seat – winterreise: The Mercy Seat (II) | Nick Cave, Ensemble Resonanz, Charly Hübner, kalle kalima, Carlos Bica | C Major | 3 | 8B | 123 BPM | ||
| Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 97 BPM | ||
| Serenade for Strings in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | D Major | 1 | 10B | 96 BPM | ||
| Pavane | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Minor | 0 | 7A | 140 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Octet, Op. 20, MWV R20: III. Scherzo (Version for Orchestra) | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 96 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Stabat Mater, P. 77: III. O quam tristis et afflicta. Larghetto | Giovanni Battista Pergolesi, Ensemble Resonanz, Riccardo Minasi, Giulia Semenzato, Lucile Richardot | G Minor | 5 | 6A | 72 BPM | ||
| Filz: I | Enno Poppe, Ensemble Resonanz, Tabea Zimmermann | F Major | 1 | 7B | 137 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Concerto for Violin, Piano & Strings in D Minor, MWV O4: III. Allegro molto | Felix Mendelssohn, Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra | D Minor | 2 | 7A | 88 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM |