Paras Borkhatria's 'Rasiya Ke Roop Mein' had a release date set for March 10, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Baansuri: Divine Spiritual Krishna Bhajans by Paras Borkhatria. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Rasiya Ke Roop Mein's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Rasiya Ke Roop Mein by Paras Borkhatria is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avo Maliye | Rajkot Gurukul | B Minor | 7 | 10A | 114 BPM | ||
| Julavu Pyare Hindore | Rajkot Gurukul | F♯ Major | 6 | 2B | 164 BPM | ||
| Om Jai Mahaveer Prabho | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Unchi Medi Te Mara Santni Re | Hari Bharwad | B Minor | 8 | 10A | 180 BPM | ||
| Andhari Raat | Atul Purohit, Himali, Smita Shah | A♭ Minor | 5 | 1A | 133 BPM | ||
| Sai Leela Pahuni | Sachidanand Appa | C Major | 7 | 8B | 144 BPM | ||
| Dhanya Ekadashi | Urvashi Pandya | E♭ Minor | 4 | 2A | 132 BPM | ||
| Agharam Maghuram | Shailendra Bharti, Nisha Upadhyay | E♭ Minor | 5 | 2A | 101 BPM | ||
| Dindi Magun Dindi Aali | Swapnil Bandodkar | B♭ Minor | 6 | 3A | 103 BPM | ||
| Banke Bihari Aarti | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 8 | 2B | 150 BPM | ||
| Parshwa Chintamani Mero Mero | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| NANA SARKHA SHRINATHJI | Nidhi Dholkiya | B Minor | 8 | 10A | 121 BPM | ||
| Angan Utsav Bani Aavo Shrinathji | Hasmukh Patadiya | G Major | 7 | 9B | 108 BPM | ||
| VINTI SWIKARO SHRIJI PIRSU THAL | NIDHO DHOLKIA | C Major | 6 | 8B | 88 BPM | ||
| Pratah Smaran Mangla Charan | Hiren Khakhi | E♭ Major | 4 | 5B | 102 BPM | ||
| O Virpurvala Bapaliya Tara | Kamlesh Barot | A♭ Major | 5 | 4B | 108 BPM | ||
| Chaman Tujh Ne Suman Jiwan Man | Manhar Udhas | A Major | 4 | 11B | 132 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Khodiyar Bavni | Asha Thakor | F Minor | 4 | 4A | 122 BPM | ||
| Tu Sukhakarak | Shubha Mudgal | E♭ Major | 7 | 5B | 78 BPM | ||
| Kaalbhairav Stotra | Ravindra Sathe | E♭ Major | 6 | 5B | 130 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Zulan Morli Vagi Re Raja Na Kunvar | Rupande Shah, Avani Parikh | A♭ Major | 4 | 4B | 114 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM |