Messe basse: III. Benedictus by Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers, Ruth Holton Song Details

"Messe basse: III. Benedictus" by Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers, Ruth Holton had its release date on April 1, 2010. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Messe basse: III. Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Fauré: Requiem & Other Sacred Music by Gabriel Fauré, John Rutter, The Cambridge Singers, City of London Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Messe basse: III. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Messe basse: III. Benedictus by Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers, Ruth Holton is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.206 dB
Acousticness: 99%
Danceability: 21%
Energy: 5%
Instrumentalness: 97%
Liveness: 10%
Loudness: 58%
Speechiness: 5%
Valence: 4%

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