Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein's 'Suite In A Minor For Violin And Orchestra, Op. 103 a: 5. Menuett. Moderato-Trio. Piu mosso' had a release date set for June 29, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Concertos, Sinfonietta" album is number 14 out of 22. On top of that, Germany appears to be the country where this track was created. Suite In A Minor For Violin And Orchestra, Op. 103 a: 5. Menuett. Moderato-Trio. Piu mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite In A Minor For Violin And Orchestra, Op. 103 a: 5. Menuett. Moderato-Trio. Piu mosso by Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Boris Giltburg | D♭ Minor | 1 | 12A | 63 BPM | ||
| Piano Sonata in G Minor: IV. Finale. Presto | Fanny Mendelssohn, Heather Schmidt | G Major | 1 | 9B | 103 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D♭ Minor | 1 | 12A | 63 BPM | ||
| Hallelujah Junction: II. - | John Adams, Lukas Geniušas, Anna Geniushene | A♭ Major | 2 | 4B | 86 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | D♭ Minor | 1 | 12A | 63 BPM | ||
| Du bist die Ruh, D 776 | Nils Mönkemeyer | E♭ Major | 0 | 5B | 68 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Sostenuto in F Major, MWV U 167 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
| Four Sketches, Op. 15: No. 4, Fire-Flies | Amy Beach, Claire Huangci | D♭ Minor | 1 | 12A | 63 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Am Meer, S. 560/4 (After Schubert, D. 957/12) | Franz Liszt, Alexandre Kantorow | C Major | 0 | 8B | 128 BPM | ||
| Violin Sonata No. 2 In E Minor, Op. 108: II. Andante | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM | ||
| 6 Chorale Preludes, BV B 50: Es ist ein Ros entsprungen, Op. 122/8 | Johannes Brahms, Ferruccio Busoni, Igor Levit | F Major | 0 | 7B | 69 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | D♭ Minor | 1 | 12A | 63 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| 2. Allegro Scherzando | Josef Karlicek, Petr Karlicek | D♭ Minor | 1 | 12A | 63 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D♭ Minor | 1 | 12A | 63 BPM | ||
| Le triomphe de Bacchus, L. 38, CD 33: I. Divertissement. Allegro (Version for Piano 4 Hands) | Claude Debussy, Genova and Dimitrov Piano Duo | D♭ Minor | 1 | 12A | 63 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| 6 Lieder, Op. 1: No. 1, Schwanenlied (Arr. Lidström for Cello & Piano) | Fanny Mendelssohn, Mats Lidström, Leif Kaner-Lidström | D Minor | 0 | 7A | 71 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | D♭ Minor | 1 | 12A | 63 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D♭ Minor | 1 | 12A | 63 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| 8 Morceaux caractéristiques, Op. 36: No. 2, Rêverie | Moritz Moszkowski, Seta Tanyel | A♭ Major | 0 | 4B | 145 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: I. Allegro appassionato | Édouard Lalo, Trio Wanderer | D♭ Minor | 1 | 12A | 63 BPM |