On July 22, 1997, the song "Orpheus in the Underworld: Can-Can (Peter's Friend)" was released by Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Orpheus in the Underworld: Can-Can (Peter's Friend)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Razumovsky Symphony Orchestra's "Greatest Movie Classics" album is number 10 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Orpheus in the Underworld: Can-Can (Peter's Friend)'s popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Orpheus in the Underworld: Can-Can (Peter's Friend) by Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| El Vuelo Del Abejorro | Aguilas de Oro | F Major | 2 | 7B | 77 BPM | ||
| op.314: An der schoenen blauen Donau-Walzer: Most Famous Waltzes | Vienna Volksoper Orchestra, Paul Redinowski | D Major | 1 | 10B | 93 BPM | ||
| Waltzes, Op. 64, B. 164: No. 1 in D-Flat Major "Minute Waltz" | Frédéric Chopin, Vittorio Forte | G Minor | 0 | 6A | 77 BPM | ||
| Concerto for Piano & Orchestra "The Yellow River": 3. The Yellow River in Wrath | Xian Xinghai, Lang Lang, China Philharmonic Orchestra, Long Yu, Chen Shasha, Wu Yuxia | F Minor | 1 | 4A | 111 BPM | ||
| Summer (L'Estate) Op.8 No.2 G Minor: Presto (Tempo Impettuoso d'Estate) | Baroque Festival Orchestra, Alberto Lizzio | C Minor | 2 | 5A | 140 BPM | ||
| Orfeo en los Infiernos-Obertura (De "Can Can") | The Oscar's Orchestra | D Major | 6 | 10B | 182 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
| Rossini: William Tell Overture | The Royal Festival Orchestra | E Major | 7 | 12B | 152 BPM | ||
| Vier Jahreszeiten - Winter - I. Allegro non molto | I Solisti di Zagreb, Alexander Perovsky | F Minor | 1 | 4A | 144 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| The Sailors Hornpipe | The Band Of The Royal New Zealand Navy | G Major | 3 | 9B | 75 BPM | ||
| The Lone Ranger Theme | John Morgan Orquesta | E Major | 7 | 12B | 154 BPM | ||
| Dramatic Baroque Violin Concerto | Rafael Krux | F Major | 1 | 7B | 84 BPM | ||
| Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
| Pinocchio: X. In fuga dai briganti | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | A Minor | 6 | 8A | 171 BPM | ||
| Nocturne in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Alessandro Deljavan | B♭ Major | 0 | 6B | 66 BPM | ||
| La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | ||
| Fiddle Faddle | Leroy Anderson, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 138 BPM | ||
| Rush E for cello and piano | Jeremy Tai, Andrew Li | D Minor | 3 | 7A | 129 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| An der schönen blauen Donau - franz. Version "Le Danube bleu" / RoW Version "The Beautiful Blue Danube" | Johann Strauss II, André Rieu | D Major | 3 | 10B | 82 BPM | ||
| Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
| The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM |