Down In Ashes's 'To The End' had a release date set for December 5, 2007. This song is quite longer than the average track at 4 minutes and 52 seconds. With that being said, this track is also considered explicit and may be offensive to some people. There are a total of 12 in the song's album "Sexy Machinery". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Canada. To The End is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To The End by Down In Ashes having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Whisper | Falling With Glory | F♯ Minor | 6 | 11A | 142 BPM | ||
| No One Else | Stealing Eden | A♭ Major | 9 | 4B | 94 BPM | ||
| Break Me | BROACH | F♯ Minor | 8 | 11A | 90 BPM | ||
| Meteor | Ashes Of Soma | E♭ Major | 8 | 5B | 136 BPM | ||
| Timeless | The Oceanside | B Minor | 8 | 10A | 160 BPM | ||
| Adrenaline | Bridge to Grace | D♭ Major | 8 | 3B | 165 BPM | ||
| Lost in Memories | Bridge to Grace | G Minor | 9 | 6A | 92 BPM | ||
| Retrodrive | Daybreak Embrace | A♭ Major | 10 | 4B | 107 BPM | ||
| Sorry It's Over | Joan Red | E♭ Minor | 9 | 2A | 130 BPM | ||
| Circus Sideshow | Outrun the Fall | D♭ Minor | 9 | 12A | 98 BPM | ||
| Broken Hinges | Fighting Kind | E♭ Minor | 9 | 2A | 127 BPM | ||
| Bury Myself Alive | Downplay | F♯ Major | 9 | 2B | 92 BPM | ||
| Everything You Hate | Project Vela | F♯ Minor | 9 | 11A | 125 BPM | ||
| First Time | Cervello | F♯ Minor | 10 | 11A | 130 BPM | ||
| One More Time | Highway Saints | E Minor | 9 | 9A | 131 BPM | ||
| Fading Away | Fivefold | D Minor | 8 | 7A | 166 BPM | ||
| Out of My Way | Onlap | D♭ Minor | 10 | 12A | 200 BPM | ||
| The Takedown | Girl On Fire | F♯ Minor | 9 | 11A | 100 BPM | ||
| Sit Down Shut Up | Outrun the Fall | E♭ Minor | 9 | 2A | 88 BPM | ||
| Fallen | Blockheads | F Major | 7 | 7B | 134 BPM | ||
| Fight | What Comes to Life | C Minor | 9 | 5A | 156 BPM | ||
| Calling Out | Stealing Eden | C Minor | 8 | 5A | 75 BPM | ||
| Control | No Such Thing | B Major | 9 | 1B | 115 BPM | ||
| Electric Chair | 3 Pill Morning | C Major | 7 | 8B | 133 BPM | ||
| Becoming | Zero Theorem | A♭ Major | 10 | 4B | 88 BPM |