Marvin Sease's 'Let's Make It Right' had a release date set for June 4, 1997. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. There are a total of 10 in the song's album "The Bitch Git It All". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Let's Make It Right is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Let's Make It Right by Marvin Sease having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Do You Go | Jeff Floyd | A Minor | 5 | 8A | 204 BPM | ||
| Love Cost | Arthur Young | B♭ Minor | 6 | 3A | 160 BPM | ||
| Part-Time Lover | Floyd Taylor | E♭ Minor | 5 | 2A | 123 BPM | ||
| Tonight Is The Night | Marvin Sease | B Major | 5 | 1B | 89 BPM | ||
| Lock My Door | Jeff Floyd | B♭ Major | 8 | 6B | 97 BPM | ||
| First Love | FATDADDY | G Major | 8 | 9B | 150 BPM | ||
| Love Me Or Leave Me | Marvin Sease | A Major | 5 | 11B | 121 BPM | ||
| Leavin' Me | Tyrone Davis | C Major | 4 | 8B | 136 BPM | ||
| Your Man Is Home Tonight | J. Blackfoot | G Major | 7 | 9B | 103 BPM | ||
| Not Gonna Cry Interlude | Reggie P, The Untouchable One | C Minor | 4 | 5A | 109 BPM | ||
| Spousal Abuse | Peggy Scott-Adams | D Major | 4 | 10B | 183 BPM | ||
| Instead | Omar Cunningham | C Minor | 5 | 5A | 80 BPM | ||
| Juicy Lips | Lacee | D♭ Major | 6 | 3B | 105 BPM | ||
| Nothing Else to Talk About | Wendell B | F Minor | 8 | 4A | 78 BPM | ||
| Let Me Take Care of You | HIGHWAY HEAVY, Adrian Bagher, Coldrank | D Minor | 5 | 7A | 152 BPM | ||
| A Letter to My Baby | Donnie Ray | F♯ Minor | 5 | 11A | 100 BPM | ||
| You Should Be Grateful | Marvin Sease | A Minor | 5 | 8A | 201 BPM | ||
| Last Three Dollars | Poonanny | B♭ Minor | 7 | 3A | 83 BPM | ||
| Around the Corner | Adrian Bagher | D Minor | 5 | 7A | 149 BPM | ||
| Slow Drag | Peggy Scott-Adams | B Minor | 6 | 10A | 135 BPM | ||
| Messed up a Good Thang | Stan Butler | A Major | 5 | 11B | 150 BPM | ||
| Put'em Down on the Table | Wendell B | D♭ Major | 6 | 3B | 171 BPM | ||
| Straight from the Shoulder | Bobby "Blue" Bland | F Major | 6 | 7B | 115 BPM | ||
| Just Go Away | Peggy Scott-Adams | F Minor | 7 | 4A | 114 BPM | ||
| Lacee's Groove | Lacee | A Minor | 6 | 8A | 103 BPM |