"No Good Man" by Ran Blake had its release date on January 1, 1976. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. No Good Man's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 14 in Breakthru by Ran Blake. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, No Good Man is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of No Good Man by Ran Blake is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Stage Of A Long Journey | Eberhard Weber, Colours | E Major | 2 | 12B | 117 BPM | ||
| Spiritual Monk | David Helbock, Raphael Preuschl, Reinhold Schmölzer | A Minor | 2 | 8A | 113 BPM | ||
| The Shape of Waiting | Back Room Trio | B♭ Major | 1 | 6B | 99 BPM | ||
| Ubu-Suku | Dollar Brand | F Major | 7 | 7B | 123 BPM | ||
| 3 Pieces for Piano: No. 2, Caminos del Espejo | Graciela Jiménez, Dora De Marinis | A Major | 0 | 11B | 74 BPM | ||
| Lonelyness, Sorrow and Grief | Piotr Wojtasik, Jarosław Śmietana | F Minor | 1 | 4A | 146 BPM | ||
| Argentyna | Tomasz Stańko | D Major | 1 | 10B | 89 BPM | ||
| Once Upon A Midnight | Abdullah Ibrahim | C Major | 3 | 8B | 142 BPM | ||
| Chicago | Ran Blake | E Major | 0 | 12B | 136 BPM | ||
| You Don't Have to Say You're Sorry | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | D Major | 0 | 10B | 138 BPM | ||
| Closer | Paul Bley Trio | D♭ Major | 0 | 3B | 51 BPM | ||
| Collaboration | Jared Sims, Ran Blake | G Major | 1 | 9B | 92 BPM | ||
| Sister Tee | Ran Blake | B♭ Major | 1 | 6B | 89 BPM | ||
| Archon of the People | Borough Bound | B♭ Major | 1 | 6B | 99 BPM | ||
| Drift Between Notes | Sonorous Sky Entertainment | B♭ Major | 1 | 6B | 99 BPM | ||
| Origen | Franco Doffo | E♭ Minor | 3 | 2A | 118 BPM | ||
| Let's Call This | Cedar Walton | E♭ Major | 1 | 5B | 86 BPM | ||
| Find The Way | Aaron Parks, Ben Street, Billy Hart | C Minor | 1 | 5A | 83 BPM | ||
| Ephemeral | HypeModex | B♭ Minor | 5 | 3A | 75 BPM | ||
| Just Friends | Ran Blake, Anthony Braxton | D♭ Major | 1 | 3B | 101 BPM | ||
| Paz Sublime Paz | Tiago Daniel, Playback CCB | E♭ Major | 0 | 5B | 77 BPM | ||
| I Loves You, Porgy | Ran Blake | B Major | 0 | 1B | 70 BPM | ||
| The Shape of Jazz | Jazzy Jordan | F Major | 4 | 7B | 147 BPM | ||
| YOUNG AND FINE | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Dancing in the Dark 1 | Ran Blake | G Major | 4 | 9B | 101 BPM |