"Effect and Cause" by Stephen Barton had its release date on October 28, 2016. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Titanfall 2 (Original Soundtrack)". In this album, this song's track order is #9. Effect and Cause is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Effect and Cause by Stephen Barton having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hitmen | Jose Pavli | C Major | 7 | 8B | 122 BPM | ||
| Chase | Borislav Slavov | C Major | 7 | 8B | 140 BPM | ||
| Work Cart | Alex Rehberg, Facepunch Studios | B Major | 4 | 1B | 117 BPM | ||
| The White Horse | Johan Söderqvist, Patrik Andrén | D♭ Major | 1 | 3B | 109 BPM | ||
| Venus | Martin Stig Andersen | D Major | 1 | 10B | 132 BPM | ||
| A Breath of Inhumanity | Pawel Blaszczak | A♭ Major | 4 | 4B | 180 BPM | ||
| The Scourge | Steve Molitz | B♭ Major | 5 | 6B | 136 BPM | ||
| The Point of No Return | Artur Tokhtash, World of Warships Music Group | C Major | 2 | 8B | 117 BPM | ||
| Bone Battle | Michael Wyckoff | D♭ Major | 9 | 3B | 121 BPM | ||
| One by One | Cliff Martinez | A Major | 9 | 11B | 167 BPM | ||
| Substation | Stephen Barton | A♭ Major | 4 | 4B | 148 BPM | ||
| The Profit | Keith Power | G Major | 5 | 9B | 151 BPM | ||
| A Father's Letter | Stephen Barton | D Minor | 2 | 7A | 131 BPM | ||
| The Underworld | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 87 BPM | ||
| Razorback | Ola Strandh, Simon Koudriavtsev | E Major | 9 | 12B | 120 BPM | ||
| Kybernetik | Mick Gordon, Richard Coleman Devine | D Major | 7 | 10B | 118 BPM | ||
| No Mercy No Respite | Doyle W. Donehoo | D♭ Major | 4 | 3B | 139 BPM | ||
| Unwelcome Guests | Greg Edmonson | G Minor | 4 | 6A | 80 BPM | ||
| Dr. Samuel Hayden | Mick Gordon | B Minor | 3 | 10A | 74 BPM | ||
| Catwalks - Bonus Track | Stephen Barton | F Major | 3 | 7B | 86 BPM | ||
| Ramming Speed Ahead! | Doyle W. Donehoo | B♭ Major | 4 | 6B | 90 BPM | ||
| Manhattan Assault | Brian Tyler | D Major | 8 | 10B | 87 BPM | ||
| Presidia | Jose Pavli | C Major | 9 | 8B | 111 BPM | ||
| The Only Way Out Is Through | Sophus Alf, Troels Rohde Jørgensen | A Major | 2 | 11B | 79 BPM | ||
| Chamber Militant | Doyle W. Donehoo | C Major | 3 | 8B | 140 BPM |