- BPM
- 137
- Key
- B Minor
- Camelot
- 10A
James Bond Theme (From "Dr. No") by Harry Rabinowitz, RCA Symphony Orchestra Song Details
Harry Rabinowitz, RCA Symphony Orchestra's ' "James Bond Theme (From "Dr. No")" was released on its scheduled release date, 2007. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. James Bond Theme (From "Dr. No")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 22 in Car Tunes: Hollywood Hits the Highway by Various Artists. Based on our statistics, James Bond Theme (From "Dr. No")'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
The tempo marking of James Bond Theme (From "Dr. No") by Harry Rabinowitz, RCA Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.506 dB
- Acousticness
- 57%
- Danceability
- 46%
- Energy
- 53%
- Instrumentalness
- 90%
- Liveness
- 29%
- Loudness
- 79%
- Speechiness
- 4%
- Valence
- 50%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM | |
 | La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | |
 | Intermezzo de cavalleria rusticana - Remasterizado | Luis Cobos | F Major | 1 | 7B | 83 BPM | |
 | James Bond Suite | Harry Rabinowitz, RCA Symphony Orchestra | C Major | 4 | 8B | 137 BPM | |
 | Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | |
 | By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | |
 | If You Can | Harry Rabinowitz | B♭ Major | 6 | 6B | 138 BPM | |
 | La Traviata: Parigi, o cara | Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | A♭ Major | 2 | 4B | 75 BPM | |
 | Norma: Deh! Con te li prendi… Mora, o Norma | Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | E Minor | 3 | 9A | 81 BPM | |
 | Morning Papers - Waltz Op. 279 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 99 BPM | |
 | Finale Ultimo | Richard Harris, Lee Herschberg | E♭ Major | 2 | 5B | 137 BPM | |
 | O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | |
 | Laendler | Irwin Kostal | F Major | 1 | 7B | 135 BPM | |
 | Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | |
 | Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
| Il Viaggo a Reims: I. Al barbaro rigor | Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | B♭ Major | 2 | 6B | 118 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 97 BPM | |
 | Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | |
 | Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | |
 | Florida Suite: II. By the River | Frederick Delius, Ulster Orchestra, Vernon Handley | E♭ Major | 1 | 5B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records