On April 24, 2018, the song "Sar Jo Tera Chakraye (From "Pyaasa")" was released by Mohammed Rafi. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mohammed Rafi's "Memoirically - Mohammed Rafi" album is number 17 out of 24. On top of that, India appears to be the country where this track was created. In terms of popularity, Sar Jo Tera Chakraye (From "Pyaasa") is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sar Jo Tera Chakraye (From "Pyaasa") by Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Najariya Ki Mari | Rajkumari | E♭ Major | 3 | 5B | 79 BPM | ||
| Roop Tera Mastana (From "Aradhana") | Kishore Kumar | A♭ Minor | 5 | 1A | 83 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Kya Dekhte Ho - From "Qurbani" | Asha Bhosle, Mohammed Rafi | E Minor | 5 | 9A | 145 BPM | ||
| Ek Ladki Bheegi Bhagi Si (From "Chalti Ka Naam Gaadi") | Kishore Kumar | E Minor | 5 | 9A | 121 BPM | ||
| Barsaat Bhi Aakar | Abhijeet | D Major | 5 | 10B | 113 BPM | ||
| Jab Se Huee Hai Shaadi | Amit Kumar | G Major | 7 | 9B | 143 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Chappa Chappa | Vishal Bhardwaj, Hariharan, Suresh Wadkar | C Major | 7 | 8B | 152 BPM | ||
| Ruk Ja O Dil Deewane | Udit Narayan | D Major | 8 | 10B | 106 BPM | ||
| Madhuban Khushboo Deta Hai - Male Vocals | K. J. Yesudas | D Major | 4 | 10B | 134 BPM | ||
| Madhuban Mein Radhika Nache Re | Mohammed Rafi | D Major | 6 | 10B | 180 BPM | ||
| Commentry Tabassum And O Sathi Chal - Seeta Aur Geeta | Tabassum, Asha Bhosle, R. D. Burman | D Major | 6 | 10B | 89 BPM | ||
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Dil Karta Hai Tere Paas | Mangal Singh | C Major | 7 | 8B | 90 BPM | ||
| Khali Dabba Khali Botal | Manna Dey | F♯ Major | 8 | 2B | 180 BPM | ||
| Chandi Jaisa Rang Hai | Pankaj Udhas | A Major | 7 | 11B | 77 BPM | ||
| Hum Kale Hai To Kya Hua - Trap Mix | Knockwell, Mehmood, Mohammed Rafi | A♭ Major | 5 | 4B | 115 BPM | ||
| Tan Jale Man Jalta Rahe | Dwijen Mukherjee, Salil Chowdhury | G Minor | 4 | 6A | 135 BPM | ||
| Man Tarpat Hari Darshan Ko Aaj | Naushad, Shakeel Badayuni, Mohammed Rafi | A Major | 2 | 11B | 104 BPM | ||
| Naina Lad Jaihen | Mohammed Rafi | A Major | 6 | 11B | 107 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM |