"Embers" by Mark Morgon-Shaw, Primetime Tracks had its release date on June 25, 2021. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Embers's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Primetime Tracks's "Golden Embers" album is number 7 out of 19. On top of that, Canada appears to be the country where this track was created. The popularity of Embers is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Embers by Mark Morgon-Shaw, Primetime Tracks to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night Shuttle | Max Anson | D♭ Major | 1 | 3B | 79 BPM | ||
| VR Spaces | Kords | F Major | 6 | 7B | 189 BPM | ||
| Welcome to the Spendopticon | Michael McCann | G Minor | 5 | 6A | 170 BPM | ||
| Fission Code | Love and Deepspace | G Major | 7 | 9B | 120 BPM | ||
| Cosmodrift | JayMusicOn | E Minor | 2 | 9A | 125 BPM | ||
| Killstreak Anthem | Nombra101 | D Major | 7 | 10B | 144 BPM | ||
| Teeth | HORIS0N | D Minor | 3 | 7A | 160 BPM | ||
| Jacknife | Solar Fields | A♭ Major | 7 | 4B | 162 BPM | ||
| 東京サラダボウルテーマ | Oh Shu | E Major | 0 | 12B | 75 BPM | ||
| SEE YOU SOON | Lecirev | F♯ Minor | 10 | 11A | 135 BPM | ||
| Fair Game | David A. Molina | E Minor | 3 | 9A | 76 BPM | ||
| Stay Grounded (Title Theme) | Justin E. Bell | A Minor | 3 | 8A | 67 BPM | ||
| Feeling Inspired (Let's Go) | Inrageous | E♭ Minor | 4 | 2A | 158 BPM | ||
| Everything is romantic | Darker | D♭ Minor | 2 | 12A | 86 BPM | ||
| Upside | Flutton | A Minor | 1 | 8A | 130 BPM | ||
| Planet Sunrise | William Orbit | D♭ Major | 6 | 3B | 129 BPM | ||
| The Phone's Ringing | Pascal Michael Stiefel | B Minor | 7 | 10A | 140 BPM | ||
| Wandering in the Wastelands | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Driving To Chinatown | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Gibraltar | Stephen Barton | D Major | 5 | 10B | 120 BPM | ||
| The Trail We Leave Behind | Oleksa Lozowchuk | B Minor | 1 | 10A | 83 BPM | ||
| Glory (Alt. Ending) | Ryan Taubert | A Minor | 6 | 8A | 110 BPM | ||
| Disturbia Delusion | Mark Morgon-Shaw, Click Clock | G Major | 6 | 9B | 120 BPM | ||
| Secret Temple | Mark Morgon-Shaw, Click Clock | G Major | 4 | 9B | 80 BPM | ||
| The Grid | Clockwork Orange Music | B♭ Minor | 2 | 3A | 120 BPM |