"Caro mio ben" by Tommaso Giordani, Holly Bewlay, Sarah Rhee had its release date on June 22, 2023. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Caro mio ben's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holly Bewlay, Sarah Rhee's "HOLLY: Twenty-four Italian Songs and Arias" album is number 9 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Caro mio ben is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Caro mio ben by Tommaso Giordani, Holly Bewlay, Sarah Rhee to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Così fan tutte, K. 588 / Act I: "Ah, guarda, sorella" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Ruth Ann Swenson | A♭ Major | 0 | 4B | 169 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova, Ferhan & Ferzan Önder, Martin Grubinger | D Major | 0 | 10B | 80 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| Caccini: Ave Maria | Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 2 | 5B | 83 BPM | ||
| Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | A Minor | 1 | 8A | 87 BPM | ||
| Amarilli, mia bella | Emiliano Géant | F Major | 1 | 7B | 134 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
| Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Zuniga, Chœur) | Georges Bizet, Rafael Frühbeck de Burgos, Bernard Gontcharenko, Chœur du Théâtre national de l'Opéra de Paris, Éliane Lublin, Grace Bumbry, Kostas Paskalis, Viorica Cortez, Orchestre du Théâtre National de l'Opéra de Paris | G Minor | 0 | 6A | 124 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Edoardo Muller | E Major | 1 | 12B | 131 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| Poulenc: Les chemins de l'amour, FP 106 | Francis Poulenc, Véronique Gens, Roger Vignoles | D♭ Major | 1 | 3B | 72 BPM | ||
| Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
| Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
| Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
| Voi Che Sapete - from 'Le Nozze Di Figaro' | Wolfgang Amadeus Mozart, Amira Willighagen, William Hayward | B♭ Major | 2 | 6B | 122 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
| Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM |