"The Phone Call" by Score from the Motion Picture had its release date on September 7, 2018. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. The Phone Call's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Sierra Burgess Is a Loser (Original Netflix Sound Track)". In this album, this song's track order is #5. Based on our statistics, The Phone Call's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Phone Call by Score from the Motion Picture having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Touched on the Dock | Justin Burnett | E Major | 0 | 12B | 60 BPM | ||
| Pool House | Justin Burnett | A♭ Major | 1 | 4B | 72 BPM | ||
| Hold Me Down | Darkstar | F Major | 3 | 7B | 125 BPM | ||
| See You | Alex Somers | A♭ Major | 2 | 4B | 140 BPM | ||
| Endless Summer | Clint Mansell | B Major | 0 | 1B | 101 BPM | ||
| The Parking Lot | Score from the Motion Picture | C Major | 1 | 8B | 117 BPM | ||
| A Kiss | Kyle Dixon & Michael Stein | E♭ Major | 2 | 5B | 95 BPM | ||
| An Alien World | Dan Romer, Saul Simon MacWilliams | C Minor | 2 | 5A | 155 BPM | ||
| Yes (Love Theme From Lost River) | Chromatics | F Minor | 3 | 4A | 146 BPM | ||
| That's Not Enough | George Kallis | C Minor | 2 | 5A | 173 BPM | ||
| At The Movies, In The Changing Room | A.C. Newman | C Major | 3 | 8B | 85 BPM | ||
| Sketchbook | Drum & Lace, Ian Hultquist | A♭ Minor | 2 | 1A | 106 BPM | ||
| Another First Time | August Wilhelmsson | D♭ Major | 0 | 3B | 105 BPM | ||
| January 31, 2018: Super Blue Blood Moon | Sleeping At Last | C Major | 2 | 8B | 81 BPM | ||
| Outer Space | Antonio Pinto | D♭ Minor | 2 | 12A | 140 BPM | ||
| Fading Beauty | Kenzo Bond | G Major | 3 | 9B | 169 BPM | ||
| Broken Glass: Shattered Soul | Planet Ronin | E♭ Major | 0 | 5B | 90 BPM | ||
| Water Colors | Astron | C Major | 2 | 8B | 60 BPM | ||
| Can’t Stop Loving You | Justin Burnett | A♭ Major | 2 | 4B | 80 BPM | ||
| Dealings | Jonatan Mollberg | G Minor | 0 | 6A | 72 BPM | ||
| The Sum Of All Things | Gavin Luke | B Major | 3 | 1B | 140 BPM | ||
| Last Dream Before Sunrise | Poemme | B Major | 3 | 1B | 62 BPM | ||
| Little by Little | Charlie | F Major | 3 | 7B | 80 BPM | ||
| Light in the Fog | Night Sounds | D Major | 5 | 10B | 172 BPM | ||
| Meeting Points at 2am | dné | E Major | 2 | 12B | 124 BPM |