Abbey Lincoln's 'Learning How To Listen - 1998 Wholly Earth Version' had a release date set for 1999. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. This song is part of Wholly Earth by Abbey Lincoln. The song's track number on the album is #10 out of 10 tracks. Based on our data, France was the country where this track was produced or recorded. Learning How To Listen - 1998 Wholly Earth Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Learning How To Listen - 1998 Wholly Earth Version by Abbey Lincoln has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With Learning How To Listen - 1998 Wholly Earth Version being at 51 BPM, the half-time would be 26 BPM with a double-time of 102 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Makin' Whoopee | Emma Smith | F♯ Major | 1 | 2B | 162 BPM | ||
| Sunny | Nancy Wilson, Jeff Rach | C Minor | 2 | 5A | 138 BPM | ||
| Spring Can Really Hang You Up The Most | Betty Carter | C Minor | 1 | 5A | 56 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| I Am Beginning to See the Light | Barbara Morrison | E♭ Major | 1 | 5B | 146 BPM | ||
| I Realize Now / I Miss You So | Freddy Cole | F Minor | 0 | 4A | 62 BPM | ||
| This Is Always | Betty Carter | E Minor | 1 | 9A | 114 BPM | ||
| Baby Won't You Please Come Home | Naama | C Major | 1 | 8B | 134 BPM | ||
| If You Could See Me Now | Vanessa Rubin | E Minor | 1 | 9A | 114 BPM | ||
| Teach Me Tonight | Erin Boheme | G Major | 2 | 9B | 75 BPM | ||
| It Ain’t Necessarily So | Mary Lou Williams | E Minor | 1 | 9A | 126 BPM | ||
| It Ain't Necessarily So (feat. Byron Stripling) | Nicki Parrott, Byron Stripling | F Minor | 4 | 4A | 109 BPM | ||
| You Go to My Head | Emma Smith | D♭ Major | 3 | 3B | 88 BPM | ||
| Prisoner of Love | Veronica Swift | D♭ Major | 2 | 3B | 74 BPM | ||
| Conversation With A Baby | Abbey Lincoln | C Minor | 2 | 5A | 109 BPM | ||
| Born To Be Blue | Helen Merrill | D♭ Minor | 1 | 12A | 55 BPM | ||
| Try A Little Tenderness | Chris Connor | F Major | 1 | 7B | 53 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| Red Top | King Pleasure | A♭ Major | 2 | 4B | 116 BPM | ||
| Anything Goes | Helen Merrill | F Major | 2 | 7B | 85 BPM | ||
| There Are Such Things | Alyssa Allgood | C Major | 3 | 8B | 133 BPM | ||
| Can't We Be Friends? | Betty Carter, Ray Bryant | C Minor | 2 | 5A | 117 BPM | ||
| Night and Day | Emma Smith | D Minor | 1 | 7A | 124 BPM | ||
| My One and Only | Robin Mckelle | A Major | 5 | 11B | 124 BPM | ||
| Avec Le Temps | Abbey Lincoln | G Minor | 2 | 6A | 87 BPM |