O.E.'s ' "Were da stash at" was released on its scheduled release date, 2007. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Were da stash at's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Stuck Up On Ma Grind Mode". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Were da stash at is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Were da stash at by O.E. having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Headsplittin' Blues | O.E. | F♯ Minor | 6 | 11A | 79 BPM | ||
| ZIG ZAGGIN' | The Capitols | F Major | 4 | 7B | 97 BPM | ||
| Fall Out | Gresby Nash, Louise Dowd | B Minor | 6 | 10A | 173 BPM | ||
| Samba E Amor | Joel Virgel | E♭ Minor | 4 | 2A | 120 BPM | ||
| Hustle Til the Day I Die | Raphael Lake, Aaron Levy, Dumi Maraire | A♭ Major | 8 | 4B | 124 BPM | ||
| Tombstone Every Mile | Jaymay | B♭ Major | 1 | 6B | 94 BPM | ||
| Alright | Knivez Out | F♯ Minor | 8 | 11A | 106 BPM | ||
| The Burning of Achindoun | Michael Richard Plowman | D♭ Major | 1 | 3B | 110 BPM | ||
| Cry Baby - Mono Single | Janis Joplin | C Major | 4 | 8B | 165 BPM | ||
| 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Jiří Bárta | D Major | 5 | 10B | 134 BPM | ||
| The Way We Were | O.E., Huss | G Major | 6 | 9B | 100 BPM | ||
| Freedom - Extended Live Version | Richie Havens | B Minor | 4 | 10A | 114 BPM | ||
| Madman Across the Water | Alison Scott | A Minor | 5 | 8A | 136 BPM | ||
| Let's Burn Down The Cornfield - 2006 Remaster | Lou Rawls | B♭ Minor | 2 | 3A | 132 BPM | ||
| Nowhere to Go | Lena Deluxe | D Major | 6 | 10B | 134 BPM | ||
| Fly Like an Eagle | Tony Crown | F Major | 2 | 7B | 79 BPM | ||
| Speed of Light | Holly Marilyn Solem | A Minor | 1 | 8A | 50 BPM | ||
| A Way to Stay Away | Sono Oto | F Major | 4 | 7B | 125 BPM | ||
| Hot Sand | Anubian Lights | E Major | 9 | 12B | 116 BPM | ||
| Go To The Mardi Gras | Professor Longhair | B♭ Major | 8 | 6B | 116 BPM | ||
| Sting Like a Bee | The Mighty Sceptres | G Major | 8 | 9B | 92 BPM | ||
| Once Upon a Time | Jay McShann | G Major | 2 | 9B | 72 BPM | ||
| Dancin' With the Devil | Lindsay Perry | B Major | 6 | 1B | 152 BPM | ||
| Even The Devil Gets Right Someday | Chris McDermott | F Major | 3 | 7B | 91 BPM | ||
| Cold Feet | Fink | D Minor | 2 | 7A | 173 BPM |