"ラフマニノフ:交響曲第3番 イ短調 作品44;第1楽章 レント-アレグロ・モデラート" by エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 had its release date on May 17, 1996. This song appears to be safe for all ages as it is not explicit. There is only one song in ラフマニノフ:交響曲・管弦楽曲全集, so we believe that "ラフマニノフ:交響曲第3番 イ短調 作品44;第1楽章 レント-アレグロ・モデラート" is a single. ラフマニノフ:交響曲第3番 イ短調 作品44;第1楽章 レント-アレグロ・モデラート is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ラフマニノフ:交響曲第3番 イ短調 作品44;第1楽章 レント-アレグロ・モデラート by エフゲニ・スヴェトラーノフ, ロシア国立交響楽団 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 68 BPM | ||
| バレエ組曲「眠りの森の美女」 パ・ダクションーアダージョ | Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 | B♭ Major | 2 | 6B | 113 BPM | ||
| Giselle - Act 2: No. 12 Entrée des paysans - No. 13 Entrée de Loys et Wilfride | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | C Major | 3 | 8B | 86 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | C Major | 3 | 8B | 94 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: III. Friar Laurence | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | F Major | 0 | 7B | 92 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 3. Hyldnings Marsch (Ceremonial March) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
| スメタナ:連作交響詩 「わが祖国」 2 ヴルタヴァ(モルダウ) | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | E Major | 1 | 12B | 84 BPM | ||
| チャイコフスキー:交響曲第4番 ヘ短調 作品36;第2楽章 アンダンテ・イン・モード・ディ・カンツォーナ | ロシア国立交響楽団, エフゲニ・スヴェトラーノフ | D Minor | 1 | 7A | 88 BPM | ||
| Piano Concerto No. 2 in A Major, S. 125: VI. Allegro animato | Franz Liszt, Andrew Litton, Bergen Philharmonic Orchestra, Stephen Hough | G Major | 0 | 9B | 87 BPM | ||
| Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM | ||
| 歌劇「魔弾の射手」序曲 | カール・マリア・フォン・ウェーバー, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 | C Major | 1 | 8B | 114 BPM | ||
| ファリャ: バレエ《三角帽子》 〜粉屋の踊り | Manuel de Falla, Jean Fournet, Czech Philharmonic Chamber Orchestra | A Major | 2 | 11B | 79 BPM | ||
| Symphony No. 1, GMW 11: IVc. Wieder wie zu Anfang. Stürmisch bewegt | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Symphony No. 1, GMW 11: IIb. Trio. Recht gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 113 BPM | ||
| バレエ組曲「眠りの森の美女」 ポロネーズ | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM | ||
| 組曲仮面舞踏会 5. ギャロップ | Aram Khachaturian, 山田和樹, Czech Philharmonic Orchestra | B♭ Major | 5 | 6B | 151 BPM | ||
| Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
| ショスタコーヴィチ:交響曲第5番 二短調 作品47;第2楽章 アレグレット | ロシア国立交響楽団, エフゲニ・スヴェトラーノフ | F Minor | 0 | 4A | 68 BPM | ||
| II. Cinderella and the Prince | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 96 BPM | ||
| チャイコフスキー:スラヴ行進曲 作品31 | ロシア国立交響楽団, エフゲニ・スヴェトラーノフ | D Major | 1 | 10B | 116 BPM | ||
| Smetana: The Bartered Bride: Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 3 | 8B | 94 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | C Major | 3 | 8B | 94 BPM |