Traditional, Tovah Feldshuh, The Western Wind, Scott Reiss, George Mgrdichian, Arto Tunçboyacıyan's ' "Narration - Parida, parida" was released on its scheduled release date, August 19, 1992. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Traditional, The Western Wind's "Mazal bueno: A Portrait in Song of the Spanish Jews" album is number 1 out of 23. On top of that, Gambia appears to be the country where this track was created. Based on our statistics, Narration - Parida, parida's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Narration - Parida, parida by Traditional, Tovah Feldshuh, The Western Wind, Scott Reiss, George Mgrdichian, Arto Tunçboyacıyan to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Winter's Night | Steve Erquiaga | E Minor | 1 | 9A | 106 BPM | ||
| Thirsty of Your Mercy | Kpakurukpa | D♭ Major | 0 | 3B | 78 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
| Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | ||
| Of the Father's Heart Begotten | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | E Major | 2 | 12B | 80 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| In My Father’s House | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | A Major | 1 | 11B | 111 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| A Christmas Blessing | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | D♭ Major | 1 | 3B | 80 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Karjased, oh öelge meile | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 2 | 9B | 81 BPM | ||
| Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Zion hort die Wachter singen (Arr. For trumpet and organ) | Johann Sebastian Bach, John Roderick MacDonald, Martin Stephan | E♭ Major | 0 | 5B | 73 BPM | ||
| How Still He Rests | Brent Pierce, Utah State University Chamber Singers, Cory Evans, Kristin Mumford, Mindy Barney | D Major | 1 | 10B | 75 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Lo, in the Time Appointed (Liturgical Motet No. 7) | Healey Willan, Halifax Camerata Singers, Gayle h. Martin, Jeff Joudrey | B Major | 1 | 1B | 126 BPM | ||
| Vox Angelica | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria | B♭ Minor | 1 | 3A | 142 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| New Beginnings | Julia Thomsen | G Major | 2 | 9B | 91 BPM |