Ryuichi Sakamoto's ' "THE END OF ASIA - 2016 リマスター" was released on its scheduled release date, October 25, 1978. This song is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There is only one song in 千のナイフ (2016 リマスター), so we believe that "THE END OF ASIA - 2016 リマスター" is a single. In terms of popularity, THE END OF ASIA - 2016 リマスター is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of THE END OF ASIA - 2016 リマスター by Ryuichi Sakamoto is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flour | Satoshi & Makoto | D Minor | 3 | 7A | 103 BPM | ||
| 白昼夢 | 佐井好子 | A Minor | 8 | 8A | 157 BPM | ||
| owari no kisetsu | Rei Harakami | D Major | 7 | 10B | 160 BPM | ||
| メフィストフェレスを探せ! - 2021 Remastering | Miharu Koshi | C Major | 10 | 8B | 154 BPM | ||
| Never Mind | Ippu-Do | E Minor | 1 | 9A | 135 BPM | ||
| Americans | Oneohtrix Point Never | A♭ Major | 9 | 4B | 88 BPM | ||
| ムード・インディゴ | 高橋ユキヒロ | D Minor | 6 | 7A | 87 BPM | ||
| Boring Stories | Eiko Ishibashi | C Major | 6 | 8B | 96 BPM | ||
| AFTER ALL | Ryuichi Sakamoto | D Major | 7 | 10B | 128 BPM | ||
| ザ・サウンドグラフィー | CASIOPEA | C Major | 9 | 8B | 115 BPM | ||
| Good Question | Herbie Hancock | F Major | 9 | 7B | 141 BPM | ||
| Day Dream | Katsutoshi Morizono | A Minor | 5 | 8A | 111 BPM | ||
| SONNA BAHAMA! | Masayoshi Takanaka | A Minor | 8 | 8A | 120 BPM | ||
| MILKY WAY (with RYUICHI SAKAMOTO & YUKALICIOUS) | TOWA TEI, Ryuichi Sakamoto, YUKALICIOUS | G Major | 6 | 9B | 98 BPM | ||
| 私は愛に死ぬ | Yasuaki Shimizu | B♭ Major | 5 | 6B | 95 BPM | ||
| Saru to yuki to gomi no kodomo | Ryuichi Sakamoto | A Major | 4 | 11B | 133 BPM | ||
| バルトークの影 | Akira Inoue | A♭ Major | 4 | 4B | 124 BPM | ||
| 哀しみのアイドル | SANDII | E Minor | 9 | 9A | 133 BPM | ||
| スキャンダル・ナイト - 2021 Remastering | Miharu Koshi | E♭ Major | 9 | 5B | 110 BPM | ||
| Refracted | Alex Heffes, Ryuichi Sakamoto | F Major | 1 | 7B | 112 BPM | ||
| Endless Summer | Fennesz | D♭ Major | 6 | 3B | 107 BPM | ||
| サンタマンの森で - 2021 Remastering | Miharu Koshi | G Major | 7 | 9B | 97 BPM | ||
| Kono Yoni Yomeri (Sono 1) | Yasuaki Shimizu | F♯ Major | 1 | 2B | 147 BPM | ||
| No Way Out | THE BEATNIKS | G Major | 5 | 9B | 114 BPM | ||
| M.A.Y. IN THE BACKYARD | Ryuichi Sakamoto | A Minor | 4 | 8A | 91 BPM |